{"id":5592,"date":"2018-12-23T23:27:54","date_gmt":"2018-12-23T23:27:54","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=5592"},"modified":"2018-12-23T23:27:54","modified_gmt":"2018-12-23T23:27:54","slug":"peliculas-preferidas-de-2018-ricardo-bedoya","status":"publish","type":"post","link":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=5592","title":{"rendered":"Pel\u00edculas preferidas de 2018: Ricardo Bedoya"},"content":{"rendered":"<p><img alt=\"Image result for un beau soleil interieur\" src=\"http:\/\/www.france.fi\/wp-content\/uploads\/2017\/10\/binoche-630x290.jpg\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000;\">Excepcionales (por orden de preferencia) <\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\">Un beau soleil interieur, de Claire Denis (En la foto)<\/span><\/p>\n<p><span style=\"color: #000000;\">El hilo fantasma, de Paul Thomas Anderson (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">Le livre d\u2019image, de Jean-Luc Godard (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">24 frames, de Abbas Kiarostami (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">La ceniza es del m\u00e1s puro de los blancos, de Jia Zhanke (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">El laberinto, de Laura Huertas Mill\u00e1n <\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000;\">Notables (sin orden de preferencia)<\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\">Mektoub, My Love: Canto Uno, de Abdellatif Kechiche.<\/span><\/p>\n<p><span style=\"color: #000000;\">The Post, los oscuros secretos del Pent\u00e1gono, de Steven Spielberg (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">En tr\u00e1nsito, de Christian Petzold (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Sol negro, de Laura Huertas Mill\u00e1n<\/span><\/p>\n<p><span style=\"color: #000000;\">Tirez la langue, Mademoiselle, de Axelle Ropert<\/span><\/p>\n<p><span style=\"color: #000000;\">Lucky, de John Carroll Lynch<\/span><\/p>\n<p><span style=\"color: #000000;\">Leave No Trace, de Debra Granik<\/span><\/p>\n<p>El \u00e1rbol, de Andr\u00e9 Gil Mata (exhibida)<\/p>\n<p><span style=\"color: #000000;\">Querido hijo (Weldi), de Mohamed Ben Attia (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">La soledad es un cuerpo que cae, de Agustina Comedi (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">La casa junto al mar, de Robert Gu\u00e9diguian (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Tesnota, de Kantemir Balagov (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Grass, de Hong Sang-soo (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">The Rider, de Chlo\u00e9 Zhao (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Barbara, de Mathieu Amalric (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Burning, de Lee Chang-dong<\/span><\/p>\n<p><span style=\"color: #000000;\">Era uma Vez Bras\u00edlia, de Adirley Queir\u00f3s (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Misi\u00f3n imposible: Repercusi\u00f3n, de Christopher McQuarrie\u00a0 (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">Ap\u00f3yate en m\u00ed, de Andrew Haigh (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">Operaci\u00f3n Overlord, de Julius Avery (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">Proyecto Florida, de Sean Baker (estrenada) <\/span><\/p>\n<p><span style=\"color: #000000;\">Good Time: Viviendo al l\u00edmite, de Benny y Josh Safdie (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\">La desaparici\u00f3n, de Constantin Popescu (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Felicit\u00e9, de Alain Gomis (exhibida) <\/span><\/p>\n<p><span style=\"color: #000000;\">Sh\u00e9h\u00e9razade, de Jean-Bertrand Marlin (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Season of the Devil (Ang panahon ng halimaw), de Lav D\u00edaz (exhibida) <\/span><\/p>\n<p><span style=\"color: #000000;\">First Reformed, de Paul Schrader<\/span><\/p>\n<p><span style=\"color: #000000;\">Tarde para morir joven, de Dominga Sotomayor (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">Ar\u00e1bia, de Joao Dumans y Affonso Uchoa (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">El largo viaje del d\u00eda hacia la noche, de Bi Gan (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\">El primer hombre en la luna, de Damien Chazelle (estrenada)<\/span><\/p>\n<p>Zama, de Lucrecia Martel (estrenada)<\/p>\n<p>Wi\u00f1aypacha, de \u00d3scar Catacora (estrenada)<\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Pel\u00edculas peruanas preferidas<\/strong> <\/span><\/p>\n<p><span style=\"color: #000000;\">Los cortos Leche para dos, de Diego Bedoya,\u00a0 y Desecho, de Julio O. Ramos. Tambi\u00e9n el largometraje Bullying Maldito, de M\u00e9linton Eusebio. <\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"color: #000000;\">No considero a\u00a0las pel\u00edculas peruanas que se vieron en festivales y que podr\u00edan estrenarse o tener una exhibici\u00f3n m\u00e1s amplia en 2019.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000;\">Decepciones <\/span><\/strong><\/p>\n<p><span style=\"color: #000000;\">El legado del diablo (Hereditary, estrenada)<\/span><\/p>\n<p><span style=\"color: #000000;\"> Les gar\u00e7ons sauvages<\/span><\/p>\n<p><span style=\"color: #000000;\">The Grand Bizarre<\/span><\/p>\n<p><span style=\"color: #000000;\">The House That Jack Built<\/span><\/p>\n<p><span style=\"color: #000000;\"> Las buenas maneras<\/span><\/p>\n<p><span style=\"color: #000000;\"> Muere, monstruo, muere<\/span><\/p>\n<p><span style=\"color: #000000;\">Un couteau dans le coeur<\/span><\/p>\n<p><span style=\"color: #000000;\">Mandy<\/span><\/p>\n<p><span style=\"color: #000000;\"> You Were Never Really Here<\/span><\/p>\n<p>Sorry to Bother You<\/p>\n<p>Nuestro tiempo<\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Las mejores de d\u00e9cadas anteriores<\/strong> (solo 10)<\/span><\/p>\n<p><span style=\"color: #000000;\">Yukiguni, de Shiro Toyoda<\/span><\/p>\n<p><span style=\"color: #000000;\"> Patria, de Susana Barriga<\/span><\/p>\n<p><span style=\"color: #000000;\"> C\u00f3mo construir un barco, de Susana Barriga<\/span><\/p>\n<p><span style=\"color: #000000;\"> Grandeur et d\u00e9cadence d\u2019un petit commerce de cin\u00e9ma, de Jean-Luc Godard (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000;\"> Try and Get Me!, de Cy Endfield<\/span><\/p>\n<p><span style=\"color: #000000;\"> Hell Drivers, de Cy Endfield<\/span><\/p>\n<p><span style=\"color: #000000;\">Crashout, de Lewis R. Foster<\/span><\/p>\n<p><span style=\"color: #000000;\">The Travelling Executioner, de Jack Smight<\/span><\/p>\n<p><span style=\"color: #000000;\"> I Bury the Living, de Albert Band <\/span><\/p>\n<p><span style=\"color: #000000;\">Al otro lado del viento, de Orson Welles.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ricardo Bedoya<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Excepcionales (por orden de preferencia) Un beau soleil interieur, de Claire Denis (En la foto) El hilo fantasma, de Paul Thomas Anderson (estrenada) Le livre d\u2019image, de Jean-Luc Godard (exhibida) 24 frames, de Abbas Kiarostami (exhibida) La ceniza es del m\u00e1s puro de los blancos, de Jia Zhanke (exhibida) El laberinto, de Laura Huertas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[997,998,847],"tags":[],"_links":{"self":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5592"}],"collection":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5592"}],"version-history":[{"count":2,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5592\/revisions"}],"predecessor-version":[{"id":5594,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5592\/revisions\/5594"}],"wp:attachment":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5592"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}