{"id":6142,"date":"2019-12-16T12:38:31","date_gmt":"2019-12-16T12:38:31","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6142"},"modified":"2019-12-16T12:38:31","modified_gmt":"2019-12-16T12:38:31","slug":"preferidas-de-la-decada-y-de-2019-brunella-tedesco-desde-barcelona","status":"publish","type":"post","link":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6142","title":{"rendered":"Preferidas de la d\u00e9cada y de 2019: Brunella Tedesco, desde Barcelona"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img alt=\"Resultado de imagen para the wind rises miyazaki\" src=\"http:\/\/1.bp.blogspot.com\/-R7DSRV4TBn4\/UciFsoNf3uI\/AAAAAAAAGOM\/yg0kwcsVSDA\/s1600\/hayao.jpg\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">D\u00e9cada:<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">A separation (Asghar Farhadi, 2011)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Amour (Michael Haneke, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Stories We Tell (Sarah Polley, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Master (Paul Thomas Anderson, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The wind rises (Hayao Miyazaki, 2013) (en la foto)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Ex Machina (Alex Garland, 2014)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Phoenix (Christian Petzold, 2014)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Paddington (Paul King, 2014)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">45 Years (Andrew Haigh, 2015)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Carol (Todd Haynes, 2015)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">No home movie (Chantal Akerman, 2015)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Certain Women (Kelly Reichardt, 2016)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Moonlight (Barry Jenkins, 2016)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Arrival (Denis Villeneuve, 2016)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Good Time (Josh &amp; Benny Safdie, 2017)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">You were never really here (Lynne Ramsay, 2017)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Rider (Chlo\u00e9 Zao, 2017)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Transit (Christian Petzold, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Leave No Trace (Debra Granik, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Portrait of a woman on fire (C\u00e9line Sciamma, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\"><strong>2019 (esta lista refleja lo poco que he ido al cine este a\u00f1o, lamentablemente)<\/strong>:<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Transit (Christian Petzold)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Farewell (Lulu Wang)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Parasite (Bong Joon-ho)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Portrait of a woman on fire (C\u00e9line Sciamma)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Dolor y Gloria (Pedro Almod\u00f3var)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong>Brunella Tedesco<\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\"><strong>Brunella a\u00f1ade su \u201cBio\u201d, con esta anotaci\u00f3n<\/strong>:\u00a0<\/span><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u201c(perd\u00f3n por el cinismo barato, pero es lo \u00fanico que me dej\u00f3 el 2019): Brunella Tedesco (Montevideo, Uruguay, 1990). Periodista de poca monta con \u00ednfulas de cuentista y novelista que dedic\u00f3 la mayor\u00eda de su vida laboral a la comunicaci\u00f3n corporativa. Tiene una licenciatura en periodismo, un m\u00e1ster en estudios de cine, y actualmente reside en Barcelona, donde cursa un doctorado en cine que la tiene constantemente al borde de una crisis existencial.&#8221;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; D\u00e9cada: A separation (Asghar Farhadi, 2011) Amour (Michael Haneke, 2012) Stories We Tell (Sarah Polley, 2012) The Master (Paul Thomas Anderson, 2012) The wind rises (Hayao Miyazaki, 2013) (en la foto) Ex Machina (Alex Garland, 2014) Phoenix (Christian Petzold, 2014) Paddington (Paul King, 2014) 45 Years (Andrew Haigh, 2015) Carol (Todd Haynes, 2015) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1094,88,1089,1088],"tags":[],"_links":{"self":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6142"}],"collection":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6142"}],"version-history":[{"count":2,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6142\/revisions"}],"predecessor-version":[{"id":6144,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6142\/revisions\/6144"}],"wp:attachment":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6142"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}