{"id":6160,"date":"2019-12-18T13:33:22","date_gmt":"2019-12-18T13:33:22","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6160"},"modified":"2019-12-18T13:33:22","modified_gmt":"2019-12-18T13:33:22","slug":"preferidas-de-la-decada-y-de-2019-nicolas-carrasco","status":"publish","type":"post","link":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6160","title":{"rendered":"Preferidas de la d\u00e9cada y de 2019: Nicol\u00e1s Carrasco"},"content":{"rendered":"

<\/span><\/b><\/p>\n

\"Resultado<\/p>\n

Mejores pel\u00edculas de 2018 y 2019, vistas por primera vez en 2019:<\/span><\/b><\/p>\n

\u00a0<\/span><\/p>\n

An Elephant Sitting Still (Hu Bo, 2018) En la foto<\/strong><\/span><\/p>\n

Parasite (Bong Joon-ho, 2019)<\/span><\/p>\n

La flor (Mariano Llin\u00e1s, 2018)<\/span><\/p>\n

A Portuguesa (Rita Azevedo Gomes, 2018)<\/span><\/p>\n

Vitalina Varela (Pedro Costa, 2019)<\/span><\/p>\n

Dragged Across Concrete (S. Craig Zahler, 2018)<\/span><\/p>\n

Beanpole (Kantemir Balagov, 2019)<\/span><\/p>\n

Martin Eden (Pietro Marcello, 2019)<\/span><\/p>\n

The Irishman (Martin Scorsese, 2019)<\/span><\/p>\n

It Must Be Heaven (Elia Suleiman, 2019)<\/span><\/p>\n

Una preguntas (Kristina Konrad, 2018)<\/span><\/p>\n

Once Upon a Time in Hollywood (Quentin Tarantino, 2019)<\/span><\/p>\n

Mes provinciales (Jean-Paul Civeyrac, 2018)<\/span><\/p>\n

Pirotecnia (Federico Atehort\u00faa, 2019)<\/span><\/p>\n

Monos (Alejandro Landes, 2019)<\/span><\/p>\n

Zombi Child (Bertrand Bonello, 2019)<\/span><\/p>\n

Atlantics (Mati Diop, 2019)<\/span><\/p>\n

Shakti (Martin Rejtman, 2019)<\/span><\/p>\n

Phantom Ride (Stephen Broomer, 2019)<\/span><\/p>\n

Under the Silver Lake (David Robert Mitchell, 2018)<\/span><\/p>\n

Marriage Story (Noah Baumbach, 2019)<\/span><\/p>\n

A Rainy Day in New York (Woody Allen, 2019)<\/span><\/p>\n

Summer of 84 (Francois Simard, Anouk Whissell, Yoann-Karl Whissell, 2018)<\/span><\/p>\n

Gulyabani (G\u00fcrcan Keltek, 2018)<\/span><\/p>\n

The Night Comes for Us (Timo Tjahjanto, 2018)<\/span><\/p>\n

Dolor y Gloria (Pedro Almod\u00f3var, 2019)<\/span><\/p>\n

John Wick: Chapter 3 \u2013 Parabellum (Chad Stahelski, 2019)<\/span><\/p>\n

Bocamina (Miguel Hilari, 2019)<\/span><\/p>\n

Parsi (Teddy Williams, Mariano Blatt, 2019)<\/span><\/p>\n

Sete anos em maio (Affonso Uchoa, 2019)<\/span><\/p>\n

A Month of Single Frames (Lynne Sachs, 2019)<\/span><\/p>\n

Las buenas intenciones (Ana Garc\u00eda Blaya, 2019)<\/span><\/p>\n

Bacurau (Kleber Mendonca Filho, Juliano Dornelles, 2019)<\/span><\/p>\n

Historia de mi nombre (Karin Cuyul, 2019)<\/span><\/p>\n

Midsommar (Ari Aster, 2019)<\/span><\/p>\n

La virgen de agosto (Jon\u00e1s Trueba, 2019)<\/span><\/p>\n

mid90s (Jonah Hill, 2018)<\/span><\/p>\n

Las facultades (Elo\u00edsa Solaas, 2019)<\/span><\/p>\n

Cam (Daniel Goldhaber, 2018)<\/span><\/p>\n

Knives Out (Rian Johnson, 2019)<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span>Cine peruano<\/span><\/b><\/p>\n

\u00a0<\/span>Canci\u00f3n sin nombre (Melina Le\u00f3n, 2019)<\/span><\/p>\n

La bronca (Daniel Vega, Diego Vega, 2019)<\/span><\/p>\n

Hugo Blanco, Rio Profundo (Malena Mart\u00ednez, 2019)<\/span><\/p>\n

Casos complejos (Omar Forero, 2018)<\/span><\/p>\n

En medio del laberinto (Salom\u00f3n P\u00e9rez, 2019)<\/span><\/p>\n

\u00a0<\/span><\/b><\/p>\n

\u00a0<\/span><\/b><\/p>\n

D\u00e9cada 2010-2019 <\/span><\/b><\/p>\n

Holy Motors (Leos Carax, 2012)<\/span><\/p>\n

Misterios de Lisboa (Raul Ruiz, 2010)<\/span><\/p>\n

Sieranevada (Cristi Puiu, 2016)<\/span><\/p>\n

Hard to be a God (Aleksei German, 2013)<\/span><\/p>\n

Leviathan (Lucien Castaing-Taylor y Verena Paravel, 2012)<\/span><\/p>\n

The Master (Paul Thomas Anderson, 2012)<\/span><\/p>\n

Branco sai, preto fica (Adirley Queir\u00f3s, 2014)<\/span><\/p>\n

An Elephan Sitting Still (Hu Bo, 2018)<\/span><\/p>\n

Twin Peaks: The Return (David Lynch, Mark Frost, 2017)<\/span><\/p>\n

The Immigrant (James Gray, 2013)<\/span><\/p>\n

Why Don\u2019t You Play in Hell? (Sion Sono, 2013)<\/span><\/p>\n

The Hateful Eight (Quentin Tarantino, 2015)<\/span><\/p>\n

Mad Max: Fury Road (George Miller, 2015)<\/span><\/p>\n

A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014)<\/span><\/p>\n

Copie conforme (Abbas Kiarostami, 2010)<\/span><\/p>\n

The Hunter (Rafi Pitts, 2010)<\/span><\/p>\n

Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)<\/span><\/p>\n

Drive (Nicolas Winding Refn, 2011)<\/span><\/p>\n

La piel que habito (Pedro Almod\u00f3var, 2011)<\/span><\/p>\n

Zama (Lucrecia Martel, 2017)<\/span><\/p>\n

Ultimas Conversas (Eduardo Coutinho, 2015)<\/span><\/p>\n

The Other Side of Hope (Aki Kaurismaki, 2017)<\/span><\/p>\n

Redemption (Miguel Gomes, 2013)<\/span><\/p>\n

Rosalinda (Mat\u00edas Pi\u00f1eiro, 2011)<\/span><\/p>\n

Vidrios partidos (Victor Erice, 2012)<\/span><\/p>\n

Les trois d\u00e9sastres (Jean-Luc Godard, 2013)<\/span><\/p>\n

Universal Soldier: Day of Reckoning (John Hyams, 2012)<\/span><\/p>\n

Foudre (Manuela Morgaine, 2013)<\/span><\/p>\n

Right Now, Wrong Then (Hong Sang-soo, 2015)<\/span><\/p>\n

True Detective (Cary Fukunaga, Nic Pizzolatto, 2014)<\/span><\/p>\n

\u00a0Nicol\u00e1s Carrasco<\/strong><\/span><\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Mejores pel\u00edculas de 2018 y 2019, vistas por primera vez en 2019: \u00a0 An Elephant Sitting Still (Hu Bo, 2018) En la foto Parasite (Bong Joon-ho, 2019) La flor (Mariano Llin\u00e1s, 2018) A Portuguesa (Rita Azevedo Gomes, 2018) Vitalina Varela (Pedro Costa, 2019) Dragged Across Concrete (S. Craig Zahler, 2018) Beanpole (Kantemir Balagov, 2019) Martin […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[88,844,1089,1088],"tags":[],"_links":{"self":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6160"}],"collection":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6160"}],"version-history":[{"count":1,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6160\/revisions"}],"predecessor-version":[{"id":6161,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6160\/revisions\/6161"}],"wp:attachment":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6160"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}