{"id":6162,"date":"2019-12-19T13:04:16","date_gmt":"2019-12-19T13:04:16","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6162"},"modified":"2019-12-19T13:04:16","modified_gmt":"2019-12-19T13:04:16","slug":"preferidas-de-la-decada-y-de-2019-carlos-esquives","status":"publish","type":"post","link":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6162","title":{"rendered":"Preferidas de la d\u00e9cada y de 2019: Carlos Esquives"},"content":{"rendered":"<p><b><span style=\"color: #000000; font-family: Calibri;\"><img alt=\"Resultado de imagen para under the skin&quot;\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn%3AANd9GcRMGYhIz6OVEQbStkigKKOR32ZF8OyzLP6sdvnZWXxZKBgk3B6I\" \/><\/span><\/b><\/p>\n<p><b><span style=\"color: #000000; font-family: Calibri;\">2019<\/span><\/b><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">Cartelera<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Old Man and the Gun (David Lowery, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Mule (Clint Eastwood, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">They Shall Not Grow Old (Peter Jackson, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Ad Astra (James Gray, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Irishman (Martin Scorsese, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">\u00a0<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">Festivales y muestras<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">La flor (Mariano Llin\u00e1s, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">It Must Be Heaven (Elia Suleiman, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Monos (Alejandro Landres, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Parasite (Bong Joon-ho, 2019)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">\u00a0<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">Pel\u00edcula Nacional<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Casos complejos (Omar Forero, 2018)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">\u00a0<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">Circuito Alternativo<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Souvenir (Joanna Hogg, 2019)<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">\u00a0<\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; font-family: Calibri;\">Vistas por primera vez<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Last Detail (Hal Ashby, 1973)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Et Dieu cr\u00e9a la femme (Roger Vadim, 1956)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Les amis (G\u00e9rard Blain, 1971)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Queimada! (Gillo Pontecorvo, 1969)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Pat Garrett &amp; Billy the Kid (Sam Peckinpah, 1973)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Morgenrot (Vernon Sewell y Gustav Ucicky, 1933)<\/span><\/p>\n<p><span style=\"font-family: Calibri;\"><span style=\"color: #000000;\">Sto<\/span>\u00dftrupp (Ludwig Schmid-Wildy y Hans Z\u00f6berlein, 1917)<\/span><\/p>\n<p><span style=\"font-family: Calibri;\"><span style=\"color: #000000;\">Der gro<\/span>\u00dfe K\u00f6nig (Veit Harlan, 1942)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Opfergang (Veit Harlan, 1944)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The wailing (Na Hong-jin, 2016)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">\u00a0<\/span><\/p>\n<p><b><span style=\"color: #000000; font-family: Calibri;\">LAS MEJORES DE LA D\u00c9CADA<\/span><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Sin orden de preferencia.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Mist\u00e9rios de Lisboa (Ra\u00fal Ruiz, 2010)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">La piel que habito (Pedro Almod\u00f3var, 2011)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Holy Motors (Leos Carax, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Leviathan (Lucien Castaing-Taylor &amp; Verena Paravel, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Master (Paul Thomas Anderson, 2012)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Under the Skin (Jonathan Glazer, 2013) <strong>En la foto<\/strong>.\u00a0<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Inside Llewyn Davis (Joel Coen &amp; Ethan Coen, 2013)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Foxcatcher (Bennett Miller, 2014)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">The Tribe (Miroslav Slaboshpitsky, 2014)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri;\">Silence (Martin Scorsese, 2016)<\/span><\/p>\n<p><strong>Carlos Esquives<\/strong><\/p>\n<p><span style=\"font-size: medium;\">\u00a0<\/span><\/p>\n<p><b><span style=\"font-size: medium;\">\u00a0<\/span><\/b><\/p>\n<p><b><span style=\"font-size: medium;\">\u00a0<\/span><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2019 Cartelera The Old Man and the Gun (David Lowery, 2018) The Mule (Clint Eastwood, 2018) They Shall Not Grow Old (Peter Jackson, 2018) Ad Astra (James Gray, 2019) The Irishman (Martin Scorsese, 2019) \u00a0 Festivales y muestras La flor (Mariano Llin\u00e1s, 2018) It Must Be Heaven (Elia Suleiman, 2019) Monos (Alejandro Landres, 2019) Parasite [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[671,88,1089,1088],"tags":[],"_links":{"self":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6162"}],"collection":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6162"}],"version-history":[{"count":2,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6162\/revisions"}],"predecessor-version":[{"id":6168,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6162\/revisions\/6168"}],"wp:attachment":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6162"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}