{"id":6182,"date":"2019-12-22T11:04:43","date_gmt":"2019-12-22T11:04:43","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6182"},"modified":"2019-12-22T11:04:43","modified_gmt":"2019-12-22T11:04:43","slug":"preferidas-de-la-decada-y-de-2019-laslo-rojas","status":"publish","type":"post","link":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6182","title":{"rendered":"Preferidas de la d\u00e9cada y de 2019: Laslo Rojas"},"content":{"rendered":"<p><img alt=\"Resultado de imagen para light of my life&quot;\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn%3AANd9GcS5jhGYCnmLnGYxSzZFMocTbnhF1Agz5ckEFoh_zKbpN2oIrwz7\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Estas son mis pel\u00edculas elegidas para este a\u00f1o, mencionadas sin ning\u00fan orden en especial, salvo el primer lugar de cada lista:<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Pel\u00edculas peruanas<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La bronca, de Diego y Daniel Vega<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Canci\u00f3n sin nombre, de Melina Le\u00f3n<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">En medio del laberinto, de Salom\u00f3n P\u00e9rez<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Hugo Blanco, r\u00edo profundo, de Malena Mart\u00ednez<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La revoluci\u00f3n y la tierra, de Gonzalo Benavente<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Estrenos comerciales<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Irishman, de Martin Scorsese<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Marriage Story, de Noah Baumbach<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Dolor y gloria, de Pedro Almod\u00f3var<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Toy Story 4, de Josh Cooley<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Light of My Life, de Casey Affleck (En la foto)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Ad Astra, de James Gray<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">A Rainy Day in New York, de Woody Allen<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Once Upon a Time in Hollywood, de Quentin Tarantino<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Booksmart, de Olivia Wilde<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Guilty, de Gustav M\u00f6ller<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Mid90s, de Jonah Hill<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Old Man &amp; the Gun, de David Lowery<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">They Shall Not Grow Old, de Peter Jackson<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Creed II, de Steven Caple Jr.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">At Eternity\u2019s Gate, de Julian Schnabel<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Mule, de Clint Eastwood<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Netflix<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">J&#8217;ai perdus mon corps, de J\u00e9r\u00e9my Clapin<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Aziz Ansari: Right Now, de Spike Jonze<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Conversations with a Killer: The Ted Bundy Tapes, de Joe Berlinger<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Diego Maradona, de Asif Kapadia<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Stranger (1946), de Orson Welles<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Burning (2018), de Lee Chang-dong<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Festivales<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Semana del Cine U.Lima:<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Parasite, de Bong Joon-ho<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Hotel by the River (2018), de Hong Sang-soo<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Portrait de la jeune fille en feu, de C\u00e9line Sciamma<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La Gomera, de Corneliu Porumboiu<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La virgen de agosto, de Jon\u00e1s Trueba<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Festival de Lima:<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La vida invisible, de Karim A\u00efnouz<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Bacurau, de Kleber Mendon\u00e7a y Juliano Dornelles<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Los tiburones, de Luc\u00eda Garibaldi<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Las facultades, de Elo\u00edsa Solaas<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">M\u00e9todo Livingston, de Sof\u00eda Mora<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Las ni\u00f1as bien (2018), de Alejandra M\u00e1rquez Abella<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La camarista (2018), de Lila Avil\u00e9s<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Torrent<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Memories of Murder (2003), de Bong Joon-ho<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Snowpiercer (2013), de Bong Joon-ho<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Apollo 11, de Todd Douglas Miller<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Eighth Grade (2018), de Bo Burnham<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">First Reformed (2017), de Paul Schrader<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Good, The Bad and The Ugly (1966) , de Sergio Leone<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Everything Will Change (2015), de Justin Mitchell (Digital Video)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Y mi Top 20 de la d\u00e9cada:<\/span><\/strong><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Certified Copy (2010), de Abbas Kiarostami<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Drive (2011), de Nicolas Winding Refn<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Act of Killing (2012), de Joshua Oppenheimer<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Enemy (2013), de Denis Villeneuve<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Her (2013), de Spike Jonze<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Boyhood (2014), de Richard Linklater<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Interstellar (2014), de Christopher Nolan<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Le meraviglie (2014), de Alice Rohrwacher<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Ex Machina (2014), de Alex Garland<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Carol (2015), de Todd Haynes<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Right Now, Wrong Then (2015), de Hong Sang-soo<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Inside Out (2015), de Pete Docter y Ronnie Del Carmen<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Anomalisa (2015), de Charlie Kaufman y Duke Johnson<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Train to Busan (2016), de Yeon Sang-ho<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Toni Erdmann (2016), de Maren Ade<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Phantom Thread (2017), de Paul Thomas Anderson<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Shoplifters (2018), de Hirokazu Kore-eda<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Irishman (2019), de Martin Scorsese<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Parasite (2019), de Bong Joon-ho<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Marriage Story (2019), de Noah Baumbach<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong>Laslo Rojas<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Estas son mis pel\u00edculas elegidas para este a\u00f1o, mencionadas sin ning\u00fan orden en especial, salvo el primer lugar de cada lista: \u00a0 Pel\u00edculas peruanas La bronca, de Diego y Daniel Vega Canci\u00f3n sin nombre, de Melina Le\u00f3n En medio del laberinto, de Salom\u00f3n P\u00e9rez Hugo Blanco, r\u00edo profundo, de Malena Mart\u00ednez La revoluci\u00f3n y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[313,88,1089,1088],"tags":[],"_links":{"self":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6182"}],"collection":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6182"}],"version-history":[{"count":1,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6182\/revisions"}],"predecessor-version":[{"id":6183,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6182\/revisions\/6183"}],"wp:attachment":[{"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6182"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}