{"id":1077,"date":"2014-12-16T00:58:00","date_gmt":"2014-12-16T00:58:00","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=1077"},"modified":"2014-12-16T00:58:19","modified_gmt":"2014-12-16T00:58:19","slug":"preferidas-del-2014-nicolas-carrasco","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=1077","title":{"rendered":"Preferidas del 2014: Nicol\u00e1s Carrasco"},"content":{"rendered":"<p><strong>Empezamos\u00a0con el balance del a\u00f1o 2014.<\/strong><\/p>\n<p><strong>Aqu\u00ed va la primera lista de preferidas. Le toca a Nicol\u00e1s Carrasco, comunicador y voraz cin\u00e9filo. Colaborador de la revista &#8220;Ventana indiscreta&#8221;.<\/strong><\/p>\n<p><img alt=\"\" src=\"http:\/\/dreamsandvisions.squarespace.com\/storage\/b42cc340-cc96-11e3-8c33-07445b2e2595_boyhood-main.jpg?__SQUARESPACE_CACHEVERSION=1407605669108\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img alt=\"\" src=\"http:\/\/justfreakinghaasome.files.wordpress.com\/2014\/04\/oculus-poster.jpg\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><b><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Cartelera comercial<\/span><\/b><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">\u00a0<\/span><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Boyhood, de Richard Linklater (imagen de arriba)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Inside Lewyn Davis, de Ethan y Joel Coen<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Gone Girl, de David Fincher<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Oculus, de Mike Flanagan<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Like Father, Like Son, de Hirokazu Koreeda<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Enemy, de Denis Villeneuve<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Prisoners, de Denis Villeneuve<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">The Wolf of Wall Street, de Martin Scorsese<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Dark Horse, de Todd Solondz<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">American Hustle, de David O. Russell<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">12 Years a Slave, de Steve McQueen<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Blue Jasmine, de Woody Allen<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">\u00a0<\/span><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">\u00a0<\/span><\/p>\n<p><img alt=\"\" src=\"https:\/\/angasongtagaandalusia.files.wordpress.com\/2014\/08\/10404022_286403671540436_5400588125970127841_o.jpg\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><b><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Cartelera alternativa<\/span><\/b><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">\u00a0<\/span><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Norte, the end of History, de Lav Diaz<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">From what is before, de Lav Diaz (imagen de arriba)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Hard to be a God, de Aleksei German<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Fantasmas de la ruta, de Jos\u00e9 Celestino Campusano<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">P\u2019tit Quinquin, de Bruno Dumont<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Cold in July, de Jim Mickle<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Matar a un hombre, de<\/span><span style=\"color: #000000; font-family: Cambria; font-size: medium;\"> Alejandro Fern\u00e1ndez Almendras<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Papuzsa, de Joanna Kos &amp; Krzysztof Krauze<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">The Missing Picture, de Rithy Pahn<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">El lugar del hijo, de Manolo Nieto<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Spirits in Season, de Stephen Broomer<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Picture Particles, de Thorsten Fleisch<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Asier y yo, de Amaya y Aitor Merino<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">La princesa de Francia, de Mat\u00edas Pi\u00f1eiro<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Free Range, de Veiko Ounpuu<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">The Last Black Sea Pirates, de Svetoslav Stoyanov<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img alt=\"\" src=\"http:\/\/i.vimeocdn.com\/video\/485373241_640.jpg\" \/><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">\u00a0<\/span><\/p>\n<p><b><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Cine peruano<\/span><\/b><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Mecanismo Velador, de Diego Vizcarra<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Solo te puedo mostrar el color, de Fernando V\u00edlchez<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">El mudo, de Daniel y Diego Vega<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">5, de Eduardo Quispe<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Paisajes, de Maya Watanabe (videoinstalaci\u00f3n)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Microb\u00fas, de Alejandro Small (imagen de arriba)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">SOPLA!, de Alejandro Small<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">La intenci\u00f3n de cortar, cerrar, limpiar, de Carlos Renter\u00eda<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Quinta y sexta transferencia del primer registro de Guatemala, de Carlos Renter\u00eda<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">El muerto, de Franco Finocchiaro<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Cambria; font-size: medium;\">Querido caporal, de Alejandra Puente<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nicol\u00e1s Carrasco<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Empezamos\u00a0con el balance del a\u00f1o 2014. Aqu\u00ed va la primera lista de preferidas. Le toca a Nicol\u00e1s Carrasco, comunicador y voraz cin\u00e9filo. Colaborador de la revista &#8220;Ventana indiscreta&#8221;. &nbsp; &nbsp; Cartelera comercial \u00a0Boyhood, de Richard Linklater (imagen de arriba) Inside Lewyn Davis, de Ethan y Joel Coen Gone Girl, de David Fincher Oculus, de Mike [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[165,164],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1077"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1077"}],"version-history":[{"count":2,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1077\/revisions"}],"predecessor-version":[{"id":1079,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1077\/revisions\/1079"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}