{"id":1118,"date":"2014-12-21T16:54:45","date_gmt":"2014-12-21T16:54:45","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=1118"},"modified":"2014-12-23T13:40:07","modified_gmt":"2014-12-23T13:40:07","slug":"favoritas-de-2014-ricardo-bedoya","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=1118","title":{"rendered":"Favoritas de 2014: Ricardo Bedoya"},"content":{"rendered":"<p><img alt=\"\" src=\"https:\/\/36.media.tumblr.com\/a3ccd129d92e9a2b9915129a139c7dec\/tumblr_n4uurkKPkc1qej1i6o1_500.jpg\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size: medium;\">Exhibidas en Lima<\/span><\/strong><\/p>\n<p><span style=\"font-size: medium;\">P&#8217;tit Quinquin<span style=\"color: #000000; font-family: Calibri;\">, de Bruno Dumont<\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\">E agora? Lembra me, de Joaquim Pinto<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Norte, el fin de la Historia, de Lav Diaz<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Boyhood, de Richard Linklater<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">The Missing Picture, de Rith Panh<\/span><\/p>\n<p><span style=\"font-size: medium;\">Es duro ser Dios, de Alexei Guerman<\/span><\/p>\n<p><span style=\"font-size: medium;\">Balada de un hombre com\u00fan, de Joel y Ethan Coen<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Jersey Boys, de Clint Eastwood<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Mille Soleils, de Matti Diop<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">The Seventh Walk, de Amitt Duta<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Jauja, de Lisandro Alonso <\/span><\/p>\n<p><span style=\"font-size: medium;\">Primicia mortal (Nightcrawler), de Dan Gilroy\u00a0<\/span><\/p>\n<p><span style=\"font-size: medium;\">Jasmine, de Woody Allen<\/span><\/p>\n<p><span style=\"font-size: medium;\">The Kindergarten Teacher, de Nadav Lapid<\/span><\/p>\n<p><span style=\"font-size: medium;\">Gran Hotel Budapest, de Wes Anderson<\/span><\/p>\n<p><span style=\"font-size: medium;\">De tal padre, tal hijo, de Hirokazu Kore-eda<\/span><\/p>\n<p><span style=\"font-size: medium;\">La princesa de Francia, de Mat\u00edas Pi\u00f1eiro<\/span><\/p>\n<p><span style=\"font-size: medium;\">El lobo de Wall Street, de Martin Scorsese<\/span><\/p>\n<p><span style=\"font-size: medium;\">Guardianes de la galaxia, de James Gunn<\/span><\/p>\n<p><span style=\"font-size: medium;\">Polvo de estrellas, de David Cronenberg<\/span><\/p>\n<p><span style=\"font-size: medium;\">Un minuto de oscuridad (Dreileben 3), de Christoph Hochh\u00e4usler.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img alt=\"\" src=\"http:\/\/www.dpstream-filmze.org\/wp-content\/uploads\/2014\/08\/IMG_5370.jpg\" \/><\/p>\n<p><span style=\"font-size: medium;\"><strong>No exhibidas<\/strong><\/span><\/p>\n<p><span style=\"font-size: medium;\">Aimer,\u00a0boire\u00a0et chanter, de Alain Resnais<\/span><\/p>\n<p><span style=\"font-size: medium;\">The Inmigrant, de James Gray<\/span><\/p>\n<p><span style=\"font-size: medium;\">Deux jours, une nuit, de Jean-Pierre Dardenne y Luc Dardenne<\/span><\/p>\n<p><span style=\"font-size: medium;\">Agua plateada, autorretrato de Siria (Ma&#8217;a al Fidda), de Wiam Simav Bedirxan, Ossama Mohammed <\/span><\/p>\n<p><span style=\"font-size: medium;\">Mercuriales, de Virgil Vernier<\/span><\/p>\n<p><span style=\"font-size: medium;\">Clouds of Sils Maria, de Olivier Assayas<\/span><\/p>\n<p><span style=\"font-size: medium;\">Amour fou, de Jessica Hausner<\/span><\/p>\n<p><span style=\"font-size: medium;\">Redenci\u00f3n, de Miguel Gomes<\/span><\/p>\n<p><span style=\"font-size: medium;\">National Gallery, de Frederick Wiseman<\/span><\/p>\n<p>Black Coal, Thin Ice, de Diao Yinan<\/p>\n<p>Mud, de Jeff Nichols<\/p>\n<p><span style=\"font-size: medium;\">Mommy, de Xavier Dolan<\/span><\/p>\n<p><span style=\"font-size: medium;\"> Locke, de Steven Knight <\/span><\/p>\n<p><span style=\"font-size: medium;\">Vic\u00a0<\/span>+ Flo Saw a Bear, de\u00a0Denis\u00a0Cot\u00e9<\/p>\n<p><span style=\"font-size: medium;\">Le paradis, de Alain Cavalier<\/span><\/p>\n<p><span style=\"font-size: medium;\">El \u00faltimo de los injustos, de Claude Lanzmann<\/span><\/p>\n<p><span style=\"font-size: medium;\">La tercera orilla, de Celina Murga<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Los due\u00f1os, de Agust\u00edn Toscano y Ezequiel Radusky<\/span><\/p>\n<p><span style=\"font-size: medium;\">Hill of freedom, de Hong Sang-Soo<br \/>\n<\/span><\/p>\n<p><span style=\"font-size: medium;\">Un toque de violencia, de Jia Zhangke<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Nota: Luego de dudarlo, excluyo Adieu au langage, de Jean-Luc Godard. Tengo dos razones para ello: la decepci\u00f3n que me caus\u00f3, pese a algunos pasajes admirables, y la necesidad de ratificar o rectificar esa impresi\u00f3n en nuevas visiones, pero en 3D, como se debe, lo que resulta dif\u00edcil de hacer aqu\u00ed y ahora.<\/p>\n<p><span style=\"font-size: medium;\">\u00a0<\/span><\/p>\n<p><img alt=\"\" src=\"http:\/\/pics.filmaffinity.com\/Mecanismo_velador-668698217-large.jpg\" \/><\/p>\n<p><strong><span style=\"font-size: medium;\">3 peruanas<\/span><\/strong><\/p>\n<p><span style=\"font-size: medium;\">Mecanismo velador, de Diego Vizcarra<\/span><\/p>\n<p><span style=\"font-size: medium;\">Microb\u00fas, de Alejandro Small<\/span><\/p>\n<p><span style=\"font-size: medium;\">El mudo, de Daniel y Diego Vega<\/span><\/p>\n<p><span style=\"font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong>Ricardo Bedoya<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Exhibidas en Lima P&#8217;tit Quinquin, de Bruno Dumont E agora? Lembra me, de Joaquim Pinto Norte, el fin de la Historia, de Lav Diaz Boyhood, de Richard Linklater The Missing Picture, de Rith Panh Es duro ser Dios, de Alexei Guerman Balada de un hombre com\u00fan, de Joel y Ethan Coen Jersey Boys, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[165,1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1118"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1118"}],"version-history":[{"count":5,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1118\/revisions"}],"predecessor-version":[{"id":1128,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/1118\/revisions\/1128"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}