{"id":3644,"date":"2016-12-28T13:23:02","date_gmt":"2016-12-28T13:23:02","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=3644"},"modified":"2016-12-28T13:23:02","modified_gmt":"2016-12-28T13:23:02","slug":"peliculas-preferidas-de-2016-ricardo-bedoya","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=3644","title":{"rendered":"Pel\u00edculas preferidas de 2016: Ricardo Bedoya"},"content":{"rendered":"<p><b><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Las excepcionales<\/span><\/b><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Cementerio de esplendor, de Apichatpong Weerasethakul (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Le fils de Joseph, de Eug\u00e8ne Green (en la foto)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Nuits blanches sur la jet\u00e9e, de Paul Vecchiali<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Right Now, Wrong Then (Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da ), de Hong Sang-soo<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Visita, o memorias y confesiones, de Manoel de Oliveira<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">L\u2019ombre des femmes, de Philippe Garrel<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La asesina (C\u00eck\u00e8 Ni\u00e8 Yinni\u00e1ng), de Hou Hsiao-Hsien (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><b><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Otras pel\u00edculas notables <\/span><\/b><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Ni el cielo, ni la tierra, de Cl\u00e9ment Cogitore (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Carol, de Todd Haynes (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Elle, de Paul Verhoeven (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Sully, de Clint Eastwood (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Fai bei sogni, de Marco Bellocchio (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Sieranevada, de Cristi Puiu (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La mort de Louis XIV, de Albert Serra<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">A trav\u00e9s de los a\u00f1os (\u00dcber die Jahre), de Nikolaus Geyrhalter (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Aquarius, de Kleber Mendon\u00e7a Filho (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Woman who Left (Ang babaeng humayo), de Lav Diaz (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Scarret Hearts (Inimi cicatr\u00edzate), de Radu Jude<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Viejo calavera, de Kiro Russo\u00a0 (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">L\u2019avenir, de Mia Hansen-L\u00f8ve<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Eldorado XXI, de Salom\u00e9 Lamas (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Sunset Song, de Terence Davies<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">El viento sabe que vuelvo a casa, de Jos\u00e9 Luis Torres Leiva (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">El tesoro (Comoara), de Corneliu Porumboiu<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Mountains May Depart (Shan he gu ren), de Jia Zhang ke<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Las plantas, de Roberto Doveris (exhibida)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Los 8 m\u00e1s odiados, de Quentin Tarantino (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Julieta, de Pedro Almod\u00f3var (estrenada)<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">La bruja, de Robert Eggers \u00a0(estrenada)<\/span><\/p>\n<p><span style=\"font-family: Calibri;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\">John From, de Jo\u00e3o Nicolau (exhibida)<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">The Wailing (Goksungaka), de Na Hong-jin<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">K\u00e9kszak\u00e1ll\u00fa, de Gast\u00f3n Solnicki<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Le parc, de Damien Manivel<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Hell or High Water, de David McKenzie<\/span><\/p>\n<p><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"color: #000000; font-family: Calibri; font-size: medium;\">Ricardo Bedoya<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las excepcionales Cementerio de esplendor, de Apichatpong Weerasethakul (exhibida) Le fils de Joseph, de Eug\u00e8ne Green (en la foto) Nuits blanches sur la jet\u00e9e, de Paul Vecchiali Right Now, Wrong Then (Ji-geum-eun-mat-go-geu-ddae-neun-teul-li-da ), de Hong Sang-soo Visita, o memorias y confesiones, de Manoel de Oliveira L\u2019ombre des femmes, de Philippe Garrel La asesina (C\u00eck\u00e8 Ni\u00e8 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3645,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[662,663],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3644"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3644"}],"version-history":[{"count":4,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3644\/revisions"}],"predecessor-version":[{"id":3666,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3644\/revisions\/3666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/media\/3645"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}