{"id":3690,"date":"2016-12-30T17:58:20","date_gmt":"2016-12-30T17:58:20","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=3690"},"modified":"2016-12-30T22:28:14","modified_gmt":"2016-12-30T22:28:14","slug":"peliculas-preferidas-de-2016-monica-delgado","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=3690","title":{"rendered":"Pel\u00edculas preferidas de 2016: M\u00f3nica Delgado"},"content":{"rendered":"

A\u00fan me genera urticaria la separaci\u00f3n de las pel\u00edculas seg\u00fan lo estrenado en cartelera local y lo que se exhibe fuera de ese circuito. Uno, porque reduce la experiencia de acceder y ver cine, dos, porque es como permanecer tranquilo ante este proceso de exhibici\u00f3n, cada vez m\u00e1s pobre, pero s\u00ed creo que es necesario visibilizar esa brecha de lo que se puede ver en festivales, v\u00eda online o en Polvos Azules, y lo que presentan a rega\u00f1adientes las exhibidoras durante el a\u00f1o (sobre todo por los horarios en que suelen colocar este tipo de pel\u00edculas, al mediod\u00eda, o tres de la tarde).<\/span><\/strong><\/p>\n

Los mejores estrenos de cartelera comercial<\/span><\/b><\/p>\n

Los 8 m\u00e1s odiados (Quentin Tarantino)<\/span><\/p>\n

Carol (Todd Haynes)<\/span><\/p>\n

Elle (Paul Verhoeven)<\/span><\/p>\n

La bruja (Robert Eggers)<\/span><\/p>\n

Hijo de Sa\u00fal (Laszlo Nemes)<\/span><\/p>\n

Estaci\u00f3n Zombi (Yeon Sang-ho)<\/span><\/p>\n

El conjuro 2 (James Wan)<\/span><\/p>\n

Creed (Ryan Coogler)<\/span><\/p>\n

El sol abrasador (Dalibor Matanic)<\/span><\/p>\n

Videofilia (Juan Daniel Molero)<\/span><\/p>\n

Solos (Joanna Lombardi)<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Visto en festivales y muestras peruanas<\/span><\/b><\/p>\n

Sieranevada (Cristi Puiu, 2016) (para m\u00ed la mejor pel\u00edcula del a\u00f1o)<\/span><\/p>\n

La noche (Edgardo Castro, Argentina, 2016; en la foto)<\/span><\/p>\n

Wake (Subic) (John Gianvito, USA, 2015)<\/span><\/p>\n

Cilaos (Camilo Restrepo, Francia, 2016)<\/p>\n

Rat film (Theo Anthony, USA, 2016)<\/span><\/p>\n

All the Cities of the North (Dane Komljen, 2016)<\/span><\/p>\n

Viejo Calavera (Kiro Russo, Bolivia, 2016)<\/span><\/p>\n

El viento sabe que vuelvo a casa (Jos\u00e9 Luis Torres Leiva, Chile, 2016)<\/span><\/p>\n

Hermia & Helena (Mat\u00edas Pi\u00f1eiro, 2016)<\/span><\/p>\n

The woman who left (Lav Diaz, 2016)<\/span><\/p>\n

Eldorado XII (Salom\u00e9 Lamas, Portugal, Francia, 2016)<\/span><\/p>\n

Oleg y las raras artes (Andr\u00e9s Duque, Spain, 2016)<\/span><\/p>\n

Traces of Garden (Wolfgang Lehmann, Sweden, Germany, 2016)<\/span><\/p>\n

Cinema Novo (Eryk Rocha, Brazil, 2016)<\/span><\/p>\n

Frammento 53 (Carlo Gabriele Tribbioli, Federico Lodoli. Italy \/ Switzerland, 2015)<\/span><\/p>\n

Mimosas (Oliver Laxe, 2016)<\/span><\/p>\n

Stand by for tape back-up (Ross Sutherland, UK, 2015)<\/span><\/p>\n

Alone (Park Hong-min, South Korea, 2015)<\/span><\/p>\n

\u00a0<\/span><\/b><\/p>\n

Excelentes y que no tienen a\u00fan exhibici\u00f3n por v\u00eda comercial o cultural<\/span><\/b><\/p>\n

La mort de Louis XIV (Albert Serra, France, 2016)<\/span><\/p>\n

O ornit\u00f3logo (Jo\u00e3o Pedro Rodrigues, Portugal, 2016)<\/span><\/p>\n

Correspond\u00eancias (Rita Azevedo Gomes, Portugal, 2016)<\/span><\/p>\n

Toni Erdmann (Maren Ade, Germany, 2016)<\/span><\/p>\n

Rester vertical (Alain Guiraudie, France, 2016)<\/span><\/p>\n

Le Cancre (Paul Vecchiali, France, 2016)<\/span><\/p>\n

Malgr\u00e9 la Nuit (Philippe Grandrieux, France, 2015)<\/span><\/p>\n

Personal Shopper (Olivier Assayas, France, 2016)<\/span><\/p>\n

The dreamed ones (Ruth Beckermann, Germany, 2016)<\/span><\/p>\n

Cump4rsit4 (Ra\u00fal Perrone, Argentina 2016)<\/span><\/p>\n

The Wailing (Na Hong-jin, South Korea, 2016)<\/span><\/p>\n

Short stay (Ted Fendt, USA, 2016)<\/span><\/p>\n

Solitary acts (Nazli Dincel, USA, Turkey, 2016)<\/span><\/p>\n

From the Diary of a Wedding Photographer, Nadav Lapid, 2016<\/span><\/p>\n

Dogs (Caini) (Bogda Mirica, Romania, 2016)<\/span><\/p>\n

Yo me lo creo (Terrorismo de Autor, Spain, 2016)<\/span><\/p>\n

Hell or high water (David Mackenzie, 2016)<\/span><\/p>\n

Gimme Danger (Jim Jarmusch, USA, 2016)<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span>M\u00f3nica Delgado<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A\u00fan me genera urticaria la separaci\u00f3n de las pel\u00edculas seg\u00fan lo estrenado en cartelera local y lo que se exhibe fuera de ese circuito. Uno, porque reduce la experiencia de acceder y ver cine, dos, porque es como permanecer tranquilo ante este proceso de exhibici\u00f3n, cada vez m\u00e1s pobre, pero s\u00ed creo que es necesario […]<\/p>\n","protected":false},"author":1,"featured_media":3691,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[662,262,663],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3690"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3690"}],"version-history":[{"count":3,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3690\/revisions"}],"predecessor-version":[{"id":3695,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/3690\/revisions\/3695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/media\/3691"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}