{"id":506,"date":"2013-12-23T11:19:45","date_gmt":"2013-12-23T11:19:45","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=506"},"modified":"2013-12-23T11:38:46","modified_gmt":"2013-12-23T11:38:46","slug":"mejores-peliculas-de2013-nicolas-carrasco","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=506","title":{"rendered":"Mejores pel\u00edculas de 2013: Nicol\u00e1s Carrasco"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a id=\"irc_mil\" href=\"http:\/\/www.google.com.pe\/url?sa=i&amp;rct=j&amp;q=&amp;esrc=s&amp;frm=1&amp;source=images&amp;cd=&amp;cad=rja&amp;docid=1vxO3FTBfLGxUM&amp;tbnid=Vsos1JZnThejbM:&amp;ved=0CAUQjRw&amp;url=http%3A%2F%2Fpijamasurf.com%2F2013%2F02%2Fpeces-grandes-mas-dificiles-freir-the-master-dos-tercios-de-una-gran-pelicula%2F&amp;ei=yxy4UtDcOIT7kQfN2ICoBQ&amp;bvm=bv.58187178,d.eW0&amp;psig=AFQjCNH91RmgfOPaKzWUleGI7GFw7kDaFA&amp;ust=1387883725391851\" data-ved=\"0CAUQjRw\"><img loading=\"lazy\" id=\"irc_mi\" alt=\"\" src=\"http:\/\/cdn.pijamasurf.com\/wp-content\/uploads\/2013\/02\/reg_1024.TheMaster.mh_.082212.jpg\" width=\"560\" height=\"415\" \/><\/a><\/p>\n<p>Cartelera comercial<\/p>\n<p>The Master, de Paul Thomas Anderson \u00a0(en la foto)<br \/>\nAmour, de Michael Haneke<br \/>\nSilver Linings Playbook, de David O. Russell<br \/>\nKilling Them Softly, de Andrew Dominik<br \/>\nBefore Midnight, de Richard Linklater<br \/>\nThe is 40, de Judd Apatow<br \/>\nZero Dark Thirty, de Kathryn Bigelow<br \/>\nSpring Breakers, de Harmony Korine<br \/>\n10\/31\/98, de Radio Silence (episodio de V\/H\/S)<br \/>\nBeasts of the Southern Wild, de Behn Zeitlin<\/p>\n<div><a href=\"http:\/\/www.google.com.pe\/url?sa=i&amp;rct=j&amp;q=&amp;esrc=s&amp;frm=1&amp;source=images&amp;cd=&amp;cad=rja&amp;docid=hT59ufY5n1CQ7M&amp;tbnid=jAMMp4Iww2fA8M:&amp;ved=0CAUQjRw&amp;url=http%3A%2F%2Fextracine.com%2F2013%2F05%2Fcritica-de-the-act-of-killing&amp;ei=Mh24UsGnJsyskAeokIGABQ&amp;bvm=bv.58187178,d.eW0&amp;psig=AFQjCNGNrHmZ6Bbn42bnqV5av_bFN2WDHg&amp;ust=1387884198615065\" data-ved=\"0CAUQjRw\"><img loading=\"lazy\" alt=\"\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcQm-5NbxmGWF45_Q6Qznr5JYaFViO0ou-JxaMZP5kbg7Jjwwr3e6w\" width=\"800\" height=\"450\" \/><\/a><\/div>\n<p>&nbsp;<\/p>\n<p>Cartelera alternativa\/cultural<\/p>\n<p>Leviathan, de Lucien Castaing-Taylor y Verena Paravel<br \/>\nCorrespondencias Guerin-Mekas<br \/>\nThe act of killing, de Joshua Oppenheimer \u00a0(en la foto)<br \/>\nCopia certificada, de Abbas Kiarostami<br \/>\nLos tres desastres, de Jean-Luc Godard (episodio de 3x3D)<br \/>\nFiguras de guerra, de Sylvain George<br \/>\nVers Madrid, de Sylvain George<br \/>\nVidrios rotos, de Victor Erice (episodio de Centro Historico)<br \/>\nLa danse, Le ballet de l\u2019Op\u00e9ra de Paris, de Frederick Wiseman<br \/>\nLas canciones, de Eduardo Coutinho<br \/>\nUna historia para los Modlin, de Sergio Oksman<br \/>\nLa jaula de oro, de Diego Quemada diez<br \/>\nLa casa Emak Bakia, de Oskar Alegria<br \/>\nMapa, de Elias Leon Seminiani<br \/>\nVikingland, de Xurxo Chirro<\/p>\n<p>&nbsp;<\/p>\n<p><a id=\"irc_mil\" href=\"http:\/\/www.filmaffinity.com\/es\/film904320.html\" data-ved=\"0CAUQjRw\"><img loading=\"lazy\" id=\"irc_mi\" alt=\"\" src=\"http:\/\/pics.filmaffinity.com\/Una_semana_con_pocas_muertes-151920475-large.jpg\" width=\"432\" height=\"626\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Cine peruano<\/p>\n<p>Nadie especial, de Juan Alejandro Ramirez<br \/>\nLa huella, de Tatiana Fuentes<br \/>\nEl pendulo, de Maya Watanabe<br \/>\nUna semana con pocas muertes, de Farid Rodriguez<br \/>\nEl espacio entre las cosas, de Raul del Busto<br \/>\nEl limpiador, de Adrian Saba<br \/>\nLouis Trent, de Victor Manuel Checa<br \/>\nReacciones, de Miguel Chumpen<br \/>\nBiopic, de Rafael Arevalo<br \/>\n50 mm, de Jesus Sifuentes Villa-Garcia<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Cartelera comercial The Master, de Paul Thomas Anderson \u00a0(en la foto) Amour, de Michael Haneke Silver Linings Playbook, de David O. Russell Killing Them Softly, de Andrew Dominik Before Midnight, de Richard Linklater The is 40, de Judd Apatow Zero Dark Thirty, de Kathryn Bigelow Spring Breakers, de Harmony Korine 10\/31\/98, de Radio Silence [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,44,1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/506"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=506"}],"version-history":[{"count":5,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/506\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/506\/revisions\/513"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}