{"id":5597,"date":"2018-12-24T13:55:14","date_gmt":"2018-12-24T13:55:14","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=5597"},"modified":"2018-12-24T13:55:14","modified_gmt":"2018-12-24T13:55:14","slug":"peliculas-preferidas-de-2018-laslo-rojas","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=5597","title":{"rendered":"Pel\u00edculas preferidas de 2018: Laslo Rojas"},"content":{"rendered":"

\"Image<\/p>\n

 <\/p>\n

Estas son las pel\u00edculas de mi 2018, las que m\u00e1s me entusiasmaron, las que recuerdo con gusto, las que quedan en la memoria. Primero listo las nacionales, y luego las extranjeras seg\u00fan la pantalla donde las pude ver. Sin ning\u00fan orden de preferencia especial:<\/span><\/strong><\/p>\n

\u00a0<\/span><\/strong><\/p>\n

Pel\u00edculas peruanas<\/span><\/b><\/p>\n

Django, sangre de mi sangre, de Aldo Salvini<\/span><\/p>\n

Los helechos, de Antol\u00edn Prieto<\/span><\/p>\n

Aj Zombies!, de Daniel Mart\u00edn Rodr\u00edguez<\/span><\/p>\n

Casos complejos, de Omar Forero<\/span><\/p>\n

Vientos del sur, de Franco Garc\u00eda<\/span><\/p>\n

La migraci\u00f3n, de Ezequiel Acu\u00f1a<\/span><\/p>\n

Wi\u00f1aypacha, de Oscar Catacora<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Estrenos comerciales<\/span><\/b><\/p>\n

Phantom Thread, de Paul Thomas Anderson (en la imagen)<\/span><\/p>\n

Last Flag Flying, de Richard Linklater<\/span><\/p>\n

Three Billboards Outside Ebbing, Missouri, de Martin McDonagh<\/span><\/p>\n

Call Me By Your Name, de Luca Guadagnino<\/span><\/p>\n

Lean On Pete, de Andrew Haigh<\/span><\/p>\n

The Florida Project, de Sean Baker<\/span><\/p>\n

Isle of Dogs, de Wes Anderson<\/span><\/p>\n

BlacKkKlansman, de Spike Lee<\/span><\/p>\n

Good Time, de Benny Safdie y Josh Safdie<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Netflix<\/span><\/b><\/p>\n

Lazzaro Felice, de \u00a0Alice Rohrwacher<\/span><\/p>\n

Private Life, de Tamara Jenkins<\/span><\/p>\n

They\u2019ll Love Me When I\u2019m Dead, de Morgan Neville<\/span><\/p>\n

22 July, de Paul Greengrass<\/span><\/p>\n

Quincy, de Rashida Jones y Alan Hicks<\/span><\/p>\n

Blue Jay (2016), de Alexandre Lehmann<\/span><\/p>\n

The Vietnam War (2017), de Ken Burns y Lynn Novick<\/span><\/p>\n

Todo sobre el asado (2016), de Gast\u00f3n Duprat y Mariano Cohn<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Torrent<\/span><\/b><\/p>\n

Leave No Trace, de Debra Granik<\/span><\/p>\n

Robin Williams: Come Inside My Mind, de Marina Zenovich<\/span><\/p>\n

Un beau soleil int\u00e9rieur (2017), de Claire Denis<\/span><\/p>\n

Visages villages (2017), de Agn\u00e8s Varda y JR<\/span><\/p>\n

The Verdict (1982), de Sidney Lumet<\/span><\/p>\n

9\/11 (2002), de Rob Klug, G\u00e9d\u00e9on Naudet, Jules Naudet y James Hanlon<\/span><\/p>\n

The Wonders (2014), de Alice Rohrwacher<\/span><\/p>\n

Le cercle rouge (1970), de Jean-Pierre Melville<\/span><\/p>\n

Michael Jackson\u2019s Journey from Motown to Off the Wall (2016), de Spike Lee<\/span><\/p>\n

Detroit (2017), de Kathryn Bigelow<\/span><\/p>\n

Dawson City: Frozen Time (2016), de Bill Morrison
\n<\/span><\/p>\n

Wonderstruck (2017), de Todd Haynes<\/p>\n

<\/span><\/p>\n

Festivales<\/span><\/b><\/p>\n

Shoplifters (Manbiki kazoku) de Hirokazu Kore-eda<\/span><\/p>\n

La cam\u00e9ra de Claire, de Hong Sang-soo<\/span><\/p>\n

Grass, de Hong Sang-soo<\/span><\/p>\n

Matar a Dios, de Caye Casas y Albert Pint\u00f3<\/span><\/p>\n

Nuestro tiempo, de Carlos Reygadas<\/span><\/p>\n

Dear Son (Weldi), de Mohamed Ben Attia<\/p>\n

Las buenas maneras (As Boas Maneiras), de
\nJuliana Rojas y Marco Dutra<\/p>\n

El motoarrebatador, de Agust\u00edn Toscano<\/p>\n

El silencio es un cuerpo que cae, de Agustina
\nComedi<\/p>\n

Dry Martina, de Che Sandoval<\/p>\n

La educaci\u00f3n del Rey, de Santiago Esteves<\/p>\n

Robar a Rodin, de Crist\u00f3bal Valenzuela<\/p>\n

 <\/p>\n

Laslo Rojas<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  Estas son las pel\u00edculas de mi 2018, las que m\u00e1s me entusiasmaron, las que recuerdo con gusto, las que quedan en la memoria. Primero listo las nacionales, y luego las extranjeras seg\u00fan la pantalla donde las pude ver. Sin ning\u00fan orden de preferencia especial: \u00a0 Pel\u00edculas peruanas Django, sangre de mi sangre, de Aldo […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[313,997,998],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5597"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5597"}],"version-history":[{"count":1,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5597\/revisions"}],"predecessor-version":[{"id":5598,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/5597\/revisions\/5598"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}