{"id":642,"date":"2014-03-19T13:56:21","date_gmt":"2014-03-19T13:56:21","guid":{"rendered":"http:\/\/www.paginasdeldiariodesatan.com\/pdds\/?p=642"},"modified":"2014-03-22T17:03:05","modified_gmt":"2014-03-22T17:03:05","slug":"desistfilm-no-5","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=642","title":{"rendered":"Desistfilm no. 5"},"content":{"rendered":"
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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"\"<\/div>\n
<\/div>\n
M\u00f3nica Delgado informa que<\/strong>\u00a0Desistfilm.com est\u00e1 ya\u00a0online<\/strong>.<\/div>\n
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<\/div>\n
El contenido de esta edici\u00f3n es el siguiente:<\/div>\n
<\/div>\n
Dossier biling\u00fce “<\/span>Found Footage: tendencias,\u00a0conexiones y desencuentros,\u00a0que <\/b>incluye los siguientes art\u00edculos:<\/span><\/div>\n
\n
    \n
  • Yervant Gianikian & Angela Ricci Lucchi: C\u00e1mara anal\u00edtica, marcha del cine<\/b>\u00a0– Eduardo A. Russo<\/li>\n
  • Out of your ruins you have made creations: the films of Joseph Cornell<\/b>\u00a0– Sarah Nichols<\/li>\n
  • Found footage de un cineasta inventado<\/b>:\u00a0J.X. Williams<\/b>\u00a0– M\u00f3nica Delgado<\/li>\n
  • Film Divided Apart by Norio Imai<\/b>\u00a0– Julian Ross<\/li>\n
  • La erotizaci\u00f3n de los cuerpos: Peter Tscherkassky<\/b>\u00a0– Geraldine Salles Kobilanski (corto de Tscherkassky\u00a0: foto de abajo)<\/li>\n
  • The rediscovery of memory and exploration of space in Ken Jacobs 3D films<\/b>\u00a0– Jos\u00e9 Sarmiento Hinojosa (“Tom, Tom, the Piper’s son”, “metraje\u00a0encontrado” por Jacobs: foto de arriba)<\/li>\n
  • Espa\u00f1a Encontrada: Fotograf\u00edas familiares en El Futuro y Arraianos<\/b>\u00a0– Ricardo Adalia Martin<\/li>\n
  • Breve mirada al found footage en el Per\u00fa\u00a0<\/b>– M\u00f3nica Delgado<\/li>\n<\/ul>\n

     <\/p>\n

    \"\"<\/p>\n

    En la\u00a0secci\u00f3n \u00a0Main Articles<\/b>\u00a0(piezas fuera del dossier):<\/div>\n<\/div>\n
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      \n
    • Does this movie really exist? The “invisible cinema” of CS Leigh<\/b>\u00a0– John A. Riley<\/li>\n
    • Rocking the Horse: A few notes on the early work of Ren\u00e9 Clair<\/b>\u00a0– Claudia Siefen<\/li>\n
    • On latent femininity: Two films by Denis Cot\u00e9<\/b>\u00a0– Petra Popovic<\/li>\n
    • Mito, m\u00fasica e imagen en el cine de Eric y Marc Hurtado<\/b>\u00a0– M\u00f3nica Delgado<\/li>\n
    • Un anacronismo defensivo: La f\u00f3rmula secreta de Rub\u00e9n G\u00e1mez<\/b>\u00a0– Pablo Gamba<\/li>\n<\/ul>\n
      Entrevistas:\u00a0Eric and Marc Hurtado, <\/b>por\u00a0M\u00f3nica Delgado y Jos\u00e9 Sarmiento Hinojosa;\u00a0Amrit Gangar<\/b>\u00a0por Ranjana Raghuntharan;\u00a0Ken Jacobs\u00a0<\/b>(por David Phelps);\u00a0Nathan Silver, <\/b>por Jos\u00e9 Sarmiento y M\u00f3nica Delgado, y\u00a0CS Leigh, <\/b>por \u00a0Jos\u00e9 Sarmiento Hinojosa.<\/div>\n<\/div>\n
      <\/div>\n
      Rese\u00f1as:<\/div>\n
      \n
        \n
      • Murder Psalm<\/b>\u00a0(Brakhage) – Lauren Bliss<\/li>\n
      • The Beggining<\/b>\u00a0(Peleshyan) – Nicol\u00e1s Carrasco<\/li>\n
      • Workers Leaving the Factory\u00a0<\/b>(Farocki) – Lauren Bliss<\/li>\n
      • The Big Stick\/An Old Reel<\/b>\u00a0(Levine) – Nicol\u00e1s Carrasco<\/li>\n
      • The Mesmerist\u00a0<\/b>(Morrison)\u00a0\/ Psalm III: Night of the Meek<\/b>\u00a0(Solomon) – Nicol\u00e1s Carrasco<\/li>\n
      • Piece Touche\u00e9<\/b>\u00a0(Arnold) – M\u00f3nica Delgado<\/li>\n
      • Return to the Scene of the Crime\u00a0<\/b>(Jacobs) – M\u00f3nica Delgado<\/li>\n
      • Space\/Time and Worries\u00a0<\/b>(Jacobs) – Lauren Bliss<\/li>\n
      • Perils, Mutiny and Mayhem<\/b>\u00a0(Child) – Tristan Teshigahara<\/li>\n
      • The Autobiography of Nicolae Ceausescu<\/b>\u00a0(Ujica) – M\u00f3nica Delgado<\/li>\n<\/ul>\n<\/div>\n
        Rese\u00f1a de libro sobre el nuevo libro de\u00a0Issac Le\u00f3n Frias<\/b>:\u00a0El Nuevo Cine Latinoamericano de los A\u00f1os Sesenta. Entre el Mito Pol\u00edtico y la Modernidad F\u00edlmica\u00a0<\/b>por\u00a0Emilio Bustamante.<\/div>\n
        <\/div>\n
        <\/div>\n<\/div>\n<\/div>\n
        <\/div>\n","protected":false},"excerpt":{"rendered":"

        \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M\u00f3nica Delgado informa que\u00a0Desistfilm.com est\u00e1 ya\u00a0online. El contenido de esta edici\u00f3n es el siguiente: Dossier biling\u00fce “Found Footage: tendencias,\u00a0conexiones y desencuentros,\u00a0que incluye los siguientes art\u00edculos: Yervant Gianikian & Angela Ricci Lucchi: C\u00e1mara anal\u00edtica, marcha del cine\u00a0– Eduardo A. Russo Out of your ruins you have made creations: the films of Joseph Cornell\u00a0– Sarah Nichols […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,39,13,56],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/642"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=642"}],"version-history":[{"count":3,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/642\/revisions"}],"predecessor-version":[{"id":650,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/642\/revisions\/650"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}