{"id":6679,"date":"2020-12-21T12:25:36","date_gmt":"2020-12-21T12:25:36","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6679"},"modified":"2020-12-21T12:25:38","modified_gmt":"2020-12-21T12:25:38","slug":"preferidas-del-2020-jose-luis-ridoutt-desde-toronto","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6679","title":{"rendered":"Preferidas del 2020: Jos\u00e9 Luis Ridoutt (desde Toronto)"},"content":{"rendered":"\n
\"Small<\/figure>\n\n\n\n

LOVERS ROCK (Steve McQueen, Reino Unido) En la foto.<\/strong><\/p>\n\n\n\n

LA VOZ HUMANA (Pedro Almodovar, Espa\u00f1a)<\/p>\n\n\n\n

PINOCCHIO (Matteo Garrone, Italia)<\/p>\n\n\n\n

MANGROVE (Steve McQueen, Reino Unido)<\/p>\n\n\n\n

EL AGENTE TOPO (Maite Alberdi, Chile)<\/p>\n\n\n\n

EL DIABLO ENTRE LAS PIERNAS (Arturo Ripstein, Mexico)<\/p>\n\n\n\n

DES HOMMES (Lucas Belvaux, Francia)<\/p>\n\n\n\n

LA VIRGEN DE AGOSTO (Jonas Trueba, Espa\u00f1a)<\/p>\n\n\n\n

BLANCO DE VERANO (Rodrigo Ruiz Patterson, Mexico)<\/p>\n\n\n\n

ETE 85 (Francois Ozon, Francia)<\/p>\n\n\n\n

RED, WHITE AND BLUE (Steve McQueen, Reino Unido)<\/p>\n\n\n\n

PASSION SIMPLE (Danielle Arbid, Francia)<\/p>\n\n\n\n

NOMADLAND (Chlo\u00e9 Zhao, USA)<\/p>\n\n\n\n

A MORTE HABITA A NOITE (Eduardo Moroto, Brasil)<\/p>\n\n\n\n

A MEDIA VOZ (Heidi Hassan, Patricia P\u00e9rez, Cuba)<\/p>\n\n\n\n

MANO DE OBRA (David Zonana, Mexico)<\/p>\n\n\n\n

NEVER, RARELY, SOMETIMES, ALWAYS (Eliza Hittman, USA)<\/p>\n\n\n\n

LA TRINCHERA INFINITA (Jon Gara\u00f1o, Aitor Arregi, Jos\u00e9 Mari Goenaga, Espa\u00f1a)<\/p>\n\n\n\n

LAS MIL Y UNA (Clarisa Navas, Argentina)<\/p>\n\n\n\n

EMILIA (C\u00e9sar Sodero, Argentina)<\/p>\n\n\n\n

PACIFIED (Paxton Winters, Brasil)<\/p>\n\n\n\n

SAMICHAY, EN BUSCA DE LA FELICIDAD (Mauricio Franco Tosso, Peru)<\/p>\n\n\n\n

LAS RANAS (Edgardo Castro, Argentina)<\/p>\n\n\n\n

NUEVO ORDEN (Michel Franco, Mexico)<\/p>\n\n\n\n

FAUNA (Nicolas Pereda, Mexico\/Canada)<\/p>\n\n\n\n

LES CHOSES QU\u2019ON DIT LES CHOSES QU\u2019ONT FAIT (Emmanuel Mouret, Francia)<\/p>\n\n\n\n

A WHITE, WHITE DAY (Hlynur Palmason, Islandia)<\/p>\n\n\n\n

THE INVISIBLE MAN (Leigh Whannell, USA)<\/p>\n\n\n\n

THE BEST IS YET TO COME (Jing Wang, China)<\/p>\n\n\n\n

BLANCO EN BLANCO (Theo Court, Chile)<\/p>\n\n\n\n

EL PROFUGO (Natalia Meta, Argentina)<\/p>\n\n\n\n

EL CAMPEON DEL MUNDO (Federico Borgia, Guillermo Madeiro, Uruguay)<\/p>\n\n\n\n

AGOSTO (Armando Capo, Cuba)<\/p>\n\n\n\n

DA 5 BLOODS (Spike Lee, USA)<\/p>\n\n\n\n

EPICENTRO (Hubert Sauper, Cuba\/Austria)<\/p>\n\n\n\n

TENET (Christopher Nolan, USA)<\/p>\n\n\n\n

NADIA. BUTTERFLY (Pascal Plante, Canada)<\/p>\n\n\n\n

MLK\/FBI (Samuel D. Pollard, USA)<\/p>\n\n\n\n

ANOTHER ROUND (Thomas Vinterberg, Dinamarca)<\/p>\n\n\n\n

TRUE MOTHERS (Naomi Kawase, Japon)<\/p>\n\n\n\n

ON THE ROCKS (Sofia Coppola, USA)<\/p>\n\n\n\n

BEGINNING (Dea Kulumbegashvili, Georgia)<\/p>\n\n\n\n

JOSEP (Aurel, Francia)<\/p>\n\n\n\n

LET HIM GO (Thomas Bezucha, USA)<\/p>\n\n\n\n

THE DEVIL ALL THE TIME (Antonio Campos, USA)<\/p>\n\n\n\n

COLECTIV (Alexander Nanau, Rumania)<\/p>\n\n\n\n

MANK (David Fincher, USA)<\/p>\n\n\n\n

EDUCATION (Steve McQueen, Reino Unido)<\/p>\n\n\n\n

ALEX WHEATLE (Steve McQueen, Reino Unido)<\/p>\n\n\n\n

UNDINE (Chistian Petzold, Alemania)<\/p>\n\n\n\n

SAINT MAUD (Rose Glass, Reino Unido)<\/p>\n\n\n\n

UN M\u00c9DECIN DE NUIT (Elie Wajeman, Francia)<\/p>\n\n\n\n

THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE (Francis Ford Coppola, USA, 1990-2020)<\/p>\n\n\n\n

<\/p>\n\n\n\n

De a\u00f1os anteriores<\/strong><\/p>\n\n\n\n

THE STORY OF TEMPLE DRAKE (Stephens Roberts, USA, 1933)<\/p>\n\n\n\n

LA NOIRE DE\u2026\u2026 (Ousmane Sembene, Senegal, 1966)<\/p>\n\n\n\n

DOUCE (Claude Autant-Lara, Francia, 1943)<\/p>\n\n\n\n

LITTLE ODESSA (James Gray, USA, 1997)<\/p>\n\n\n\n

VINCENT, FRANCOIS, PAUL ET LES AUTRES (Claude Sautet, Francia, 1974)<\/p>\n\n\n\n

EL CRACK (Jos\u00e9 Luis Garci, Espa\u00f1a, 1981)<\/p>\n\n\n\n

MAIGRET TEND UN PIEGE (Jean Delannoy, Francia, 1958)<\/p>\n\n\n\n

UN AMORE A ROMA (Dino Risi, Italia, 1960)<\/p>\n\n\n\n

MARIUS (Alexander Korda, Francia, 1931)<\/p>\n\n\n\n

THE GREY FOX (Phillip Borsos, Canada, 1982)<\/p>\n\n\n\n

PANIQUE (Julien Duvivier, Francia, 1946)<\/p>\n\n\n\n

CRISTO SI E FERMATO A EBOLI (Francesco Rosi, Italia, 1979)-La versi\u00f3n restaurada de 220 minutos-<\/p>\n\n\n\n

PUPILLE (Jeanne Herry, Francia, 2018)<\/p>\n\n\n\n

POETRY (Lee Chang-Dong, Surcorea, 2010)<\/p>\n\n\n\n

LUMIERE! L\u2019AVENTURE COMMENCE (Thierry Fr\u00e9maux, Francia, 2016)<\/p>\n\n\n\n

UNO: LA HISTORIA DE UN GOL (Gerardo Muyshondt, Carlos Moreno, El Salvador, 2010)<\/p>\n\n\n\n

LA VIDA MANCHA (Enrique Urbizu, Espa\u00f1a, 2003)<\/p>\n\n\n\n

DOWNHILL (Alfred Hitchcock, Reino Unido, 1927)<\/p>\n\n\n\n

THE CLOUD-CAPPED STAR (Ritwik Ghatak, India, 1960)<\/p>\n\n\n\n

WANDA (Barbara Loden, USA, 1970)<\/p>\n\n\n\n

SWEET CHARITY (Bob Fosse, USA, 1969)<\/p>\n\n\n\n

THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON (Paul Newman, USA, 1972)<\/p>\n\n\n\n

IN THE FRENCH STYLE (Robert Parrish, USA, 1963)<\/p>\n\n\n\n

DRIFTWOOD (Allan Dwan, USA, 1947)<\/p>\n\n\n\n

Jos\u00e9 Luis Ridoutt<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

LOVERS ROCK (Steve McQueen, Reino Unido) En la foto. LA VOZ HUMANA (Pedro Almodovar, Espa\u00f1a) PINOCCHIO (Matteo Garrone, Italia) MANGROVE (Steve McQueen, Reino Unido) EL AGENTE TOPO (Maite Alberdi, Chile) EL DIABLO ENTRE LAS PIERNAS (Arturo Ripstein, Mexico) DES HOMMES (Lucas Belvaux, Francia) LA VIRGEN DE AGOSTO (Jonas Trueba, Espa\u00f1a) BLANCO DE VERANO (Rodrigo Ruiz […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[1224],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6679"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6679"}],"version-history":[{"count":1,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6679\/revisions"}],"predecessor-version":[{"id":6680,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6679\/revisions\/6680"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}