{"id":6683,"date":"2020-12-22T12:41:45","date_gmt":"2020-12-22T12:41:45","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6683"},"modified":"2020-12-22T13:09:00","modified_gmt":"2020-12-22T13:09:00","slug":"preferidas-del-2020-nicolas-carrasco","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6683","title":{"rendered":"Preferidas del 2020: Nicol\u00e1s Carrasco"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img src=\"https:\/\/pics.filmaffinity.com\/Fourteen-426567593-large.jpg\" alt=\"Fourteen (2019) - Filmaffinity\"\/><\/figure>\n\n\n\n<p><strong>Mejores pel\u00edculas de 2019 y 2020, vistas por primera vez en 2020:<\/strong><\/p>\n\n\n\n<p>Ne croyez surtout pas que je hurle&nbsp;(Frank Beauvais, 2019)<\/p>\n\n\n\n<p>Uncut Gems (Josh Safdie, Benny Safdie, 2019)<\/p>\n\n\n\n<p>Fourteen (Dan Sallit, 2019)<\/p>\n\n\n\n<p>Ficci\u00f3n privada (Andr\u00e9s Di Tella, 2019)<\/p>\n\n\n\n<p>Journal de septembre (Eric Pauwels, 2019)<\/p>\n\n\n\n<p>About Endlessness (Roy Andersson, 2019)<\/p>\n\n\n\n<p>Thorax (Siegfried A. Fruhauf, 2019)<\/p>\n\n\n\n<p>Diari d\u2019un confinement (Octavi Br\u00fchl, 2020)<\/p>\n\n\n\n<p>The Lighthouse (Robert Eggers, 2019)<\/p>\n\n\n\n<p>Atenas (C\u00e9sar Gonz\u00e1lez, 2019)<\/p>\n\n\n\n<p>La deuda (Gustavo Font\u00e1n, 2019)<\/p>\n\n\n\n<p>Atlantis (Valentyn Vasyanovych, 2019)<\/p>\n\n\n\n<p>Tlamess (Ala Eddine Slim, 2019)<\/p>\n\n\n\n<p>My Mexican Bretzel (Nuria Gim\u00e9nez, 2019)<\/p>\n\n\n\n<p>Enquanto estamos aqui (Clarissa Campolina, Luiz Pretti, 2019)<\/p>\n\n\n\n<p>Las mil y una (Clarisa Navas, 2020)<\/p>\n\n\n\n<p>VFW (Joe Begos, 2019)<\/p>\n\n\n\n<p>Stump the Guesser (Guy Maddin, 2019)<\/p>\n\n\n\n<p>Richard Jewell (Clint Eastwood, 2019)<\/p>\n\n\n\n<p>A febre (Maya Da-Rin, 2019)<\/p>\n\n\n\n<p>Un pel\u00edcula hecha de (Malena Solarz, Nicol\u00e1s Zukerfeld, 2019)<\/p>\n\n\n\n<p>Caterina (Dan Sallitt, 2019)<\/p>\n\n\n\n<p>Playback. Ensayo de una despedida (Agustina Comedi, 2019)<\/p>\n\n\n\n<p>Noite perp\u00e9tua (Pedro Peralta, 2020)<\/p>\n\n\n\n<p>Krabi, 2562 (Anocha Suwichakornpong, Ben Rivers, 2019)<\/p>\n\n\n\n<p>Bliss (Joe Begos, 2019)<\/p>\n\n\n\n<p>Correspondencia (Carla Sim\u00f3n, Dominga Sotomayor, 2020)<\/p>\n\n\n\n<p>Karote (Laila Pakalnina, 2019)<\/p>\n\n\n\n<p>Bajo mi piel morena (Jos\u00e9 Celestino Campusano, 2019)<\/p>\n\n\n\n<p>Demonic (Pia Borg, 2019)<\/p>\n\n\n\n<p>Lonely Rivers (Mauro Herce, 2019)<\/p>\n\n\n\n<p>Her Name Was Europa (Anja Dornieden, Juan David Gonz\u00e1lez Monroy, 2020)<\/p>\n\n\n\n<p>Las razones del lobo (Marta Hincapi\u00e9 Uribe, 2020)<\/p>\n\n\n\n<p>Cairo Affaire (Mauro Andrizzi, 2019)<\/p>\n\n\n\n<p>Family Romance, LLC (Werner Herzog, 2019)<\/p>\n\n\n\n<p>Aqu\u00ed y all\u00e1 (Melisa Liebenthal, 2020)<\/p>\n\n\n\n<p>Padre no nuestro (Mar\u00eda Ca\u00f1as, 2019)<\/p>\n\n\n\n<p>Plata o plomo (Natalia Granados, 2019)<\/p>\n\n\n\n<p>Para todas as mo\u00e7as (Castiel Vitorino Brasileiro, 2019)<\/p>\n\n\n\n<p>1982 (Lucas Gallo, 2020)<\/p>\n\n\n\n<p>M\u00e9dium (Edgardo Cozarinsky, 2020)<\/p>\n\n\n\n<p><strong>Cine peruano<\/strong><\/p>\n\n\n\n<p>Persona Perpetua (Javier Bellido, 2020)<\/p>\n\n\n\n<p>Qu\u00e9 linda (Bryan Rodr\u00edguez, 2019)<\/p>\n\n\n\n<p>Nehem\u00edas (Daniel Jacoby, 2019)<\/p>\n\n\n\n<p>[En Tre] Fuego Incesante (Ivonne Sheen, 2020)<\/p>\n\n\n\n<p>El tiempo y el silencio (Alonso Izaguirre, 2020)<\/p>\n\n\n\n<p>Laguna Negra (Felipe Esparza, 2020)<\/p>\n\n\n\n<p>Manco C\u00e1pac (Henry Vallejo, 2020)<\/p>\n\n\n\n<p><strong>Cinefilia en confinamiento<\/strong><\/p>\n\n\n\n<p><strong>Obras maestras anteriores a 2015, vistas por primera vez en 2020:<\/strong><\/p>\n\n\n\n<p>Growing Up \/ Madurando (Chen Kun-hou, 1983)<\/p>\n\n\n\n<p>Runaway Train (Andrei Konchalovski, 1985)<\/p>\n\n\n\n<p>The Raid (Hugo Fregonese, 1954)<\/p>\n\n\n\n<p>Flammes (Adolfo Arrieta, 1978)<\/p>\n\n\n\n<p>The Scenic Route (Mark Rappaport, 1978)<\/p>\n\n\n\n<p>La Cecilia (Jean-Louis Comolli, 1975)<\/p>\n\n\n\n<p>3 Bad Men (John Ford, 1926)<\/p>\n\n\n\n<p>El bello Antonio (Mauro Bolognini, 1960)<\/p>\n\n\n\n<p>My Name is Julia Ross (Joseph H. Lewis, 1945)<\/p>\n\n\n\n<p>Merrilly We Go to Hell, (Dorothy Arzner, 1932)<\/p>\n\n\n\n<p>Blonde Crazy (Roy Del Ruth, 1931)<\/p>\n\n\n\n<p>Prisioneros de la tierra (Mario Soffici, 1939)<\/p>\n\n\n\n<p>\u00a1Que viva la Rep\u00fablica! (Karel Kachyna, 1965)<\/p>\n\n\n\n<p>El camino de la vida (Nikolai Ekk, 1931)<\/p>\n\n\n\n<p>Fukujuso \/ El perfume de la flor de Adonis (Jiro Kawate, 1935)<\/p>\n\n\n\n<p><strong>Pel\u00edculas notables anteriores a 2015, vistas por primera vez en 2020:<\/strong><\/p>\n\n\n\n<p>Warlock (Edward Dmytryk, 1959)<\/p>\n\n\n\n<p>Decision Before Dawn (Anatole Litvak, 1951)<\/p>\n\n\n\n<p>Woman on the Run (Norman Foster, 1950)<\/p>\n\n\n\n<p>Working Girls (Lizzie Borden, 1986)<\/p>\n\n\n\n<p>Trying to Describe Oneself (Boris Lehman, 2005)<\/p>\n\n\n\n<p>Variety (Bette Gordon, 1983)<\/p>\n\n\n\n<p>Parapalos (Ana Poliak, 2004)<\/p>\n\n\n\n<p>Dance, Girl, Dance (Dorothy Arzner, 1940)<\/p>\n\n\n\n<p>The Story of the Flaming Years \/ La epopeya de los a\u00f1os de fuego (Yuliya Solntseva, 1961)<\/p>\n\n\n\n<p>Les autres (Hugo Santiago, 1975)<\/p>\n\n\n\n<p>Behind the Door (Irvin Willat, 1919)<\/p>\n\n\n\n<p>Rock Hudson\u2019s Home Movies (Mark Rappaport, 1992)<\/p>\n\n\n\n<p>From the Journals of Jean Seberg (Mark Rappaport, 1995)<\/p>\n\n\n\n<p>Vampire Hunter D: Bloodlust (Yoshiaki Kawajiri, 2000)<\/p>\n\n\n\n<p>The World in His Arms (Raoul Walsh, 1952)<\/p>\n\n\n\n<p>The Mystery of Chess Boxing (Joseph Kuo, 1979)<\/p>\n\n\n\n<p>Fallen Angel (Otto Preminger, 1945)<\/p>\n\n\n\n<p>The Miracle of Morgan\u2019s Creek (Preston Sturges, 1943)<\/p>\n\n\n\n<p>Lundi matin (Otar Iosseliani, 2002)<\/p>\n\n\n\n<p>La fianc\u00e9e du pirate (Nelly Kaplan, 1969)<\/p>\n\n\n\n<p>Broken Arrow (Delmer Daves, 1950)<\/p>\n\n\n\n<p>The Bravados (Henry King, 1958)<\/p>\n\n\n\n<p>S\u00e9ance on a Wet Afternoon (Bryan Forbes, 1964)<\/p>\n\n\n\n<p>Milano odia (Umberto Lenzi, 1974)<\/p>\n\n\n\n<p>Roma a mano armata (Umberto Lenzi, 1976)<\/p>\n\n\n\n<p>The Prowler (Joseph Losey, 1951)<\/p>\n\n\n\n<p>Sambizanga (Sarah Maldoror, 1972)<\/p>\n\n\n\n<p>Peter Ibbetson (Henry Hathaway, 1935)<\/p>\n\n\n\n<p>Whistle Down the Wind (Bryan Forbes, 1961)<\/p>\n\n\n\n<p>Falling Leaves (Otar Iosseliani, 1966)<\/p>\n\n\n\n<p>Kairat (Darezhan Omirbayev, 1992)<\/p>\n\n\n\n<p>On the Society File of Shanghai (Wang Chu-Chin, 1981)<\/p>\n\n\n\n<p><strong>Nicol\u00e1s Carrasco<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mejores pel\u00edculas de 2019 y 2020, vistas por primera vez en 2020: Ne croyez surtout pas que je hurle&nbsp;(Frank Beauvais, 2019) Uncut Gems (Josh Safdie, Benny Safdie, 2019) Fourteen (Dan Sallit, 2019) Ficci\u00f3n privada (Andr\u00e9s Di Tella, 2019) Journal de septembre (Eric Pauwels, 2019) About Endlessness (Roy Andersson, 2019) Thorax (Siegfried A. Fruhauf, 2019) Diari [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[1226,1224],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6683"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6683"}],"version-history":[{"count":2,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6683\/revisions"}],"predecessor-version":[{"id":6687,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6683\/revisions\/6687"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}