{"id":6721,"date":"2020-12-26T12:12:51","date_gmt":"2020-12-26T12:12:51","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6721"},"modified":"2020-12-26T12:12:53","modified_gmt":"2020-12-26T12:12:53","slug":"preferidas-del-2020-carlos-esquives","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6721","title":{"rendered":"Preferidas del 2020: Carlos Esquives"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcRGX80YZtrHpqqn3u-bm9hwYyETtLUBMkKoPA&amp;usqp=CAU\" alt=\"VISIT (Chinese: ??) Dir: Jia Zhangke... - The Films in my Life | Facebook\"\/><\/figure>\n\n\n\n<p>Dos ventajas que he reconocido desde que inici\u00f3 el confinamiento. La primera es que he podido retomar una anterior costumbre de programarme ciclos de pel\u00edculas dependiendo el d\u00eda y la hora. La segunda ventaja es que esta vez he podido \u201casistir\u201d a festivales internacionales dado que algunos asumieron la modalidad online. Aqu\u00ed va lo que he visto y me ha gustado m\u00e1s en este a\u00f1o. La lista de \u201cPel\u00edculas pasadas\u201d la ajusto a solo 20 t\u00edtulos. El orden es seg\u00fan los fui viendo.<\/p>\n\n\n\n<p><strong>Peliculas recientes<\/strong><\/p>\n\n\n\n<p>The Visit (Jia Zhangke, 2020)<\/p>\n\n\n\n<p>Nasir (Arun Karthick, 2020)<\/p>\n\n\n\n<p>Manco C\u00e1pac (Henry Vallejo, 2020)<\/p>\n\n\n\n<p>Mam\u00e1, mam\u00e1, mam\u00e1 (Sol Berruezo, 2020)<\/p>\n\n\n\n<p>Il n\u2019y aura plus de nuit (Eleonore Weber, 2020)<\/p>\n\n\n\n<p>Fauna (Nicol\u00e1s Pereda, 2020)<\/p>\n\n\n\n<p>Red Post on Escher Street (Sion Sono, 2020)<\/p>\n\n\n\n<p>I\u2019m thinking of Endings Things (Charlie Kaufman, 2020)<\/p>\n\n\n\n<p>Die letzte stadt (Heinz Emigholz, 2020)<\/p>\n\n\n\n<p>The Woman Who Run (Hong Sang-soo, 2020)<\/p>\n\n\n\n<p>Undine (Christian Petzold, 2020)<\/p>\n\n\n\n<p><strong>Miniseries recientes<\/strong><\/p>\n\n\n\n<p>Small Axe: Episodio de Lovers Rock (Steve McQueen, 2020)<\/p>\n\n\n\n<p>Quiz (Stephen Frears, 2020)<\/p>\n\n\n\n<p><strong>Pel\u00edculas pasadas<\/strong><\/p>\n\n\n\n<p>The Undead (Roger Corman, 1957)<\/p>\n\n\n\n<p>Dans ma peau (Marina De Van, 2002)<\/p>\n\n\n\n<p>One Way Passage (Tay Garnett, 1932)<\/p>\n\n\n\n<p>L\u2019 oeil du Malin (Claude Chabrol, 1962)<\/p>\n\n\n\n<p>Aventurera (Alberto Gout, 1950)<\/p>\n\n\n\n<p>La dama de la muerte (Carlos Hugo Christensen, 1952)<\/p>\n\n\n\n<p>\u00a1V\u00e1monos con Pancho Villa! (Fernando de Fuentes, 1936)<\/p>\n\n\n\n<p>Messiah of Evil (Gloria Katz y Willard Huyck, 1973)<\/p>\n\n\n\n<p>Terror en una ciudad de Texas (Joseph H. Lewis, 1958)<\/p>\n\n\n\n<p>Peregrinos (John Ford, 1933)<\/p>\n\n\n\n<p>El compadre Mendoza (Juan Bustillo Oro y Fernando de Fuentes, 1934)<\/p>\n\n\n\n<p>The Shower (Ko Young-nam, 1979)<\/p>\n\n\n\n<p>Gueule D\u2019Amour (Jean Gr\u00e9millon, 1937)<\/p>\n\n\n\n<p>A Taste of Honey (Tony Richardson, 1961)<\/p>\n\n\n\n<p>La piel que brilla (Philip Ridley, 1990)<\/p>\n\n\n\n<p>Robin Redbreast (James MacTaggart, 1970)<\/p>\n\n\n\n<p>Mim\u00ed, metal\u00fargico herido en su honor (Lina Wertmuller, 1972)<\/p>\n\n\n\n<p>Orlando (Sally Potter, 1992)<\/p>\n\n\n\n<p>Tres \u00e1lamos en la calle Plyushchikha (Tatyana Lioznova, 1967)<\/p>\n\n\n\n<p>A Bloodthristy Killer (Lee Yong-min, 1965)<\/p>\n\n\n\n<p><strong>Miniseries pasadas<\/strong><\/p>\n\n\n\n<p>Dec\u00e1logo: Episodios de \u201cNo matar\u00e1s\u201d y \u201cNo cometer\u00e1s adulterio\u201d (Krzysztof Kieslowski, 1990)<\/p>\n\n\n\n<p><strong>Carlos Esquives<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dos ventajas que he reconocido desde que inici\u00f3 el confinamiento. La primera es que he podido retomar una anterior costumbre de programarme ciclos de pel\u00edculas dependiendo el d\u00eda y la hora. La segunda ventaja es que esta vez he podido \u201casistir\u201d a festivales internacionales dado que algunos asumieron la modalidad online. Aqu\u00ed va lo que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[1238,1230],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6721"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6721"}],"version-history":[{"count":1,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6721\/revisions"}],"predecessor-version":[{"id":6722,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6721\/revisions\/6722"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}