{"id":6985,"date":"2022-01-01T12:44:02","date_gmt":"2022-01-01T12:44:02","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6985"},"modified":"2022-01-01T16:40:01","modified_gmt":"2022-01-01T16:40:01","slug":"peliculas-preferidas-de-2021-miguel-marias-desde-madrid-2","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=6985","title":{"rendered":"Pel\u00edculas preferidas de 2021: lista completa de Miguel Mar\u00edas (desde Madrid)"},"content":{"rendered":"\n
\"Anima<\/figure>\n\n\n\n

Miguel Mar\u00edas nos env\u00eda la lista completa de sus pel\u00edculas preferidas de 2021. Hace unos d\u00edas publicamos su lista de las estrenadas en Madrid, pero aqu\u00ed va la relaci\u00f3n de todo lo bueno que vio o volvi\u00f3 a ver el a\u00f1o que ha terminado. <\/strong><\/p>\n\n\n\n

 TOP 2021<\/strong><\/p>\n\n\n\n

31\/12\/2021<\/strong><\/p>\n\n\n\n

A) Grandes pel\u00edculas realizadas despu\u00e9s de 2016, pero vistas por primera vez en 2021:<\/strong><\/p>\n\n\n\n

Mo er dao ga(Anima;<\/em>Cao Jinling, 2020)<\/p>\n\n\n\n

Cry Macho<\/em>(Clint Eastwood, 2021)<\/p>\n\n\n\n

Les choses qu\u2019on dit, les choses qu\u2019on fait<\/em>(Emmanuel Mouret, 2020)<\/p>\n\n\n\n

\u00c0 l\u2019abordage<\/em> (Guillaume Brac, 2020)<\/p>\n\n\n\n

Still Life of Memories<\/em>(Yazaki Hitoshi, 2018)<\/p>\n\n\n\n

Doraibu mai k?<\/em>\/Drive My Car<\/em>(Hamaguchi Ry\u00fbsuke, 2021)<\/p>\n\n\n\n

Let Him Go<\/em>(Thomas Bezucha, 2020)<\/p>\n\n\n\n

Dorogie tovarishchi<\/em>(Dear Comrades!;Andre\u00ed Konchalovsky, 2020)<\/p>\n\n\n\n

Il n\u2019y aura plus de nuit<\/em>(\u00c9l\u00e9onore Weber, 2020)<\/p>\n\n\n\n

Marx pu\u00f2 aspettare<\/em>(Marco Bellocchio, 2021)<\/em><\/p>\n\n\n\n

——————————————————————————————————————–<\/p>\n\n\n\n

The Marriage Project<\/em>(Hesam Eslami & Atieh Attarzadeh, 2019)<\/p>\n\n\n\n

G\u00fbzen to s\u00f4z\u00f4<\/em>\/Wheel of Fortune and Fantasy<\/em>(Hamaguchi Ry\u00fbsuke, 2021)<\/p>\n\n\n\n

Suzanna Andler(<\/em>Beno\u00eet Jacquot;a.Marguerite Duras, 2020\/1)<\/p>\n\n\n\n

Maixabel<\/em>(Iciar Bollain, 2021)<\/p>\n\n\n\n

News of the World<\/em>(Paul Greengrass, 2020)<\/p>\n\n\n\n

Country Music<\/em>(Ken Burns, 2019)<\/p>\n\n\n\n

——————————————————————————————————————–<\/p>\n\n\n\n

B) Grandes pel\u00edculas hechas antes de 2016, pero vistas solo en 2021:<\/strong><\/p>\n\n\n\n

Serdtse materi<\/em>(The Heart of a Mother<\/em>;Mark Donsko\u00ed, 1966)<\/p>\n\n\n\n

Yumechiyo Nikki<\/em>(Yumechiyo\u2019s Diary<\/em>;Urayama Kirio\/Kiriro, 1985)<\/p>\n\n\n\n

Petit \u00e0 petit<\/em>(version 4 hrs)(Jean Rouch, 1971)<\/p>\n\n\n\n

The Whistle at Eaton Falls<\/em>(A Drama of Real Life<\/em>)(Robert Siodmak, 1951)<\/p>\n\n\n\n

Taking Sides<\/em>\/Der Fall Furtw\u00e4ngler<\/em>(Szab\u00f3 Istv\u00e1n, 2001)<\/p>\n\n\n\n

Losing Ground<\/em>(Kathleen Collins, 1982)<\/p>\n\n\n\n

Dream Girl<\/em>(Mitchell Leisen, 1947\/8)<\/p>\n\n\n\n

Valley of the Sun<\/em>(George Marshall, 1942)<\/p>\n\n\n\n

The Silent Partner<\/em>(S1,Ep.12 de Screen Directors Playhouse<\/em>)(George Marshall, 1955)<\/p>\n\n\n\n

Life Begins at 40<\/em>(George Marshall, 1935)<\/p>\n\n\n\n

Peesua lae dokmai<\/em>(Butterflies and Flowers<\/em>;Euthana Mukdasanit, 1985)<\/p>\n\n\n\n

Hellfire<\/em>(R.G. Springsteen, 1949)<\/p>\n\n\n\n

Shin Heike Monogatari:Yoshinaka o megoru sannin no onna<\/em>(Kinugasa Teinosuke, 1955\/6)<\/p>\n\n\n\n

Texas<\/em>(George Marshall, 1941)<\/p>\n\n\n\n

Vremia zhelani\u00ed<\/em>(Time of Desire<\/em>;Iulii Ra\u00edzman, 1984)<\/p>\n\n\n\n

Nigorie<\/em>(Imai Tadashi, 1953)<\/p>\n\n\n\n

Die Rebellion<\/em>(Wolfgang Staudte, 1962)<\/p>\n\n\n\n

Kirmes<\/em>(Wolfgang Staudte, 1960)<\/p>\n\n\n\n

Joi no Kiroku<\/em>(Shimizu Hiroshi, 1941)<\/p>\n\n\n\n

Stories We Tell<\/em>(Sarah Polley, 2012)<\/p>\n\n\n\n

D\u00edas de oto\u00f1o<\/em>(Roberto Gavald\u00f3n, 1963)<\/p>\n\n\n\n

Man\u2019s Calling<\/em>(Almost a Friar<\/em>;Allan Dwan, 1912)<\/p>\n\n\n\n

Das Lamm<\/em>(The Lamb<\/em>;Wolfgang Staudte, 1964)<\/p>\n\n\n\n

Bokuseki<\/em>(Gosho Heinosuke, 1940)<\/p>\n\n\n\n

Hashi no nai kawa<\/em>(The River with No Bridge<\/em>; Higashi Y\u00f4ichi, 1992)<\/p>\n\n\n\n

Taiy\u00f4 no suwaru basho? no suwaru basho<\/em>(The Place Where the Sun Sits<\/em>;Yakazi Hitoshi, 2012)<\/p>\n\n\n\n

Su\u00eeto ritoru raizu<\/em>(Sweet Little Lies<\/em>;Yazaki Hitoshi, 2009\/10)<\/p>\n\n\n\n

Fuon<\/em>(The Crying Wind<\/em>;Higashi Y\u00f4ichi, 2004)<\/p>\n\n\n\n

Ainsi soit-il<\/em>(G\u00e9rard Blain, 1999\/2000)<\/p>\n\n\n\n

The Rose of Kentucky<\/em>(D.W. Griffith, 1911)<\/p>\n\n\n\n

The Romantic Story of Margaret Catchpole<\/em>(Raymond Longford, 1911)<\/p>\n\n\n\n

Odoriko<\/em>(Shimizu Hiroshi, 1957)<\/p>\n\n\n\n

Escape<\/em>(Mervyn LeRoy, 1940)<\/p>\n\n\n\n

Ra\u00ed<\/em>\/Paradies<\/em>(Paradise<\/em>;Andre\u00ed Konchalovsky, 2016)<\/p>\n\n\n\n

Never a Dull Moment<\/em>(George Marshall, 1950)<\/p>\n\n\n\n

A Millionaire for Christy<\/em>(George Marshall, 1951)<\/p>\n\n\n\n

Friendly Enemies<\/em>(Allan Dwan, 1942)<\/p>\n\n\n\n

Maging Akin Ka Lamang<\/em>(Lino Brocka, 1987)<\/p>\n\n\n\n

Bulaklak Sa City Jail<\/em>(Mario O\u2019Hara, 1984)<\/p>\n\n\n\n

Kawanakajima kassen<\/em>(The Battle of Kawanakajima<\/em>;Kinugasa Teinosuke, 1941)<\/p>\n\n\n\n

The Girl Said No<\/em>(Sam Wood, 1930)<\/p>\n\n\n\n

Eno nakane bokuno mura<\/em>(Village of Dreams<\/em>;Higashi Y\u00f4ichi, 1996)<\/p>\n\n\n\n

Atlantis The Lost Continent<\/em>(Siren of Atlantis<\/em>\/Atlantide<\/em>;Gregory G. Tallas,coll.John Brahm,Arthur Ripley, 1947\/\/9)<\/p>\n\n\n\n

Koiya koi nasuna koi<\/em>(Love, Thy Name Be Sorrow<\/em>\/The Mad Fox<\/em>;Uchida Tomu, 1962)<\/p>\n\n\n\n

Destry Rides Again<\/em>(George Marshall, 1939)<\/p>\n\n\n\n

A Message to Garcia<\/em>(George Marshall, 1936)<\/p>\n\n\n\n

Chicago-Weltstadt in Flegelsjahren<\/em>(Heinrich Hauser, 1931)<\/p>\n\n\n\n

Die Stadt der Millionen. Ein Lebensbild Berlins<\/em>(Adolf Trotz, 1925)<\/p>\n\n\n\n

Wandering Papas<\/em>(Stan Laurel, 1926)<\/p>\n\n\n\n

C) Pel\u00edculas recientes muy buenas:<\/strong><\/p>\n\n\n\n

Dereka no mokkin<\/em>(Somebody\u2019s Xylophone<\/em>;Higashi Y\u00f4ichi, 2016)<\/p>\n\n\n\n

Hostiles<\/em>(Scott Cooper, 2017)<\/p>\n\n\n\n

Ray Meets Helen<\/em>(Alan Rudolph, 2017)<\/p>\n\n\n\n

Tre piani<\/em>(Nanni Moretti, 2021)<\/p>\n\n\n\n

Des Hommes<\/em>(Lucas Belvaux, 2020)<\/p>\n\n\n\n

Petite Maman<\/em>(C\u00e9line Sciamma, 2021)<\/p>\n\n\n\n

Running Wild<\/em>(Alex Ranarivelo, 2016\/7)<\/p>\n\n\n\n

Degas et moi<\/em>(de 3e Sc\u00e8ne<\/em>;Arnaud Des Palli\u00e8res, 2019)<\/p>\n\n\n\n

Eskape<\/em>(Neary Adeline Hay, 2021)<\/p>\n\n\n\n

Dangsin-eolgul-apeseo<\/em>(In Front of Your Face<\/em>;Hong Sang-soo, 2021)<\/p>\n\n\n\n

The Marksman<\/em>(Robert Lorenz, 2021)<\/p>\n\n\n\n

Un soup\u00e7on d\u2019amour(Paul Vecchiali, 2019\/20)<\/em><\/p>\n\n\n\n

The Miniaturist of Junagadh<\/em>(Kaushal Oza, 2021)<\/p>\n\n\n\n

L\u2019equilibrio<\/em>(Vincenzo Marra, 2017)<\/p>\n\n\n\n

Felk\u00e9sz\u00fcl\u00e9s meghat\u00e1rozatlan ideig tart\u00f3 egy\u00fcttl\u00e9tre<\/em>(Preparations to be together for an unknown period of time<\/em>;Horv\u00e1t Lili, 2020)<\/p>\n\n\n\n

Longe<\/em>(Far<\/em>;Jos\u00e9 Oliveira, 2016)<\/p>\n\n\n\n

Seize printemps<\/em>(Suzanne Lindon, 2020)<\/p>\n\n\n\n

Onoda, 10.000 nuits dans la jungle<\/em>(Arthur Harari, 2021)<\/p>\n\n\n\n

Huda\u2019s Salon<\/em>(Hany Abu-Assad, 2021)<\/p>\n\n\n\n

The Sea Ahead<\/em>(Albahr\u2019amamakum<\/em>)(Ely Dagher, 2021)<\/p>\n\n\n\n

Les Apparences<\/em>(Marc Fitoussi, 2020)<\/p>\n\n\n\n

Pray for Rain<\/em>(Alex Ranarivelo, 2017)<\/p>\n\n\n\n

Qui\u00e9n lo impide<\/em>(Jon\u00e1s Trueba, 2016-21)<\/p>\n\n\n\n

A Quiet Place Part II<\/em>(John Krasinski, 2020\/1)<\/p>\n\n\n\n

A Quiet Place<\/em>(John Krasinski, 2018)<\/p>\n\n\n\n

Antlers<\/em>(Scott Cooper, 2019\/\/21)<\/p>\n\n\n\n

Zeros And Ones<\/em>(Abel Ferrara, 2021)<\/p>\n\n\n\n

Supai no tsuma<\/em>(Kurosawa Kiyoshi, 2020)<\/p>\n\n\n\n

A todo tren. Destino Asturias<\/em>(Santiago Segura, 2021)<\/p>\n\n\n\n

The Great Indian Kitchen<\/em>(Jeo Baby, 2021)<\/p>\n\n\n\n

What Is Life Worth<\/em>\/Worth<\/em>(Sara Colangelo, 2020)<\/p>\n\n\n\n

Errementari<\/em>(El herrero y el diablo;<\/em>Paul Urkijo Alijo, 2017\/8)<\/p>\n\n\n\n

Sylvie\u2019s Love<\/em>(Eugene Ashe, 2020)<\/p>\n\n\n\n

La Telenovela Errante<\/em>(Ra\u00fal Ruiz,Valeria Sarmiento, 1990\/2017)<\/p>\n\n\n\n

Irradi\u00e9s<\/em>(Rithy Panh, 2020\/1)<\/p>\n\n\n\n

Traidores<\/em>(Jon Viar, 2021)<\/p>\n\n\n\n

Impuros<\/em>(Alberto Utrera, 2021)<\/p>\n\n\n\n

Wild Mountain Thyme<\/em>(John Patrick Shanley, 2020)<\/p>\n\n\n\n

Explota Explota<\/em>(Nacho \u00c1lvarez, 2020)<\/p>\n\n\n\n

Asa ga kuru<\/em>(True Mothers<\/em>;Kawase Naomi, 2020)<\/p>\n\n\n\n

The Song of Names<\/em>(Fran\u00e7ois Girard, 2019)<\/p>\n\n\n\n

Coda<\/em>(Claude Lalonde, 2019)<\/p>\n\n\n\n

(The)Borderlands<\/em>(Samarth Mahajan;col.Nupur Agrawal, 2020\/1)<\/p>\n\n\n\n

Sardunya<\/em>(Geranium<\/em>;\u00c7agil Bocut, 2021)<\/p>\n\n\n\n

Ride or Die<\/em>(Hiroki Ryuichi, 2021)<\/p>\n\n\n\n

The Beatles Get Back<\/em>(Michael Lindsay-Hogg\/Peter Jackson, 1969\/\/\/2021)<\/p>\n\n\n\n

Summer of Soul or When the Revolution Could Not Be Televised<\/em>(Questlove, 2021)<\/p>\n\n\n\n

Concierto para la batalla de El Tala<\/em>(Libro primero<\/em> de La Saga de los M\u00e1rtires Unitarios<\/em>)(Mariano Llin\u00e1s, 2021)<\/p>\n\n\n\n

My Octopus Teacher<\/em>(Pippa Ehrlich & James Reed;coll.Craig Foster, 2020)<\/p>\n\n\n\n

D) Pel\u00edculas m\u00e1s antiguas muy buenas:<\/strong><\/p>\n\n\n\n

You Never Know Women<\/em>(William A. Wellman, 1926)<\/p>\n\n\n\n

Out of the Furnace<\/em>(Scott Cooper, 2013)<\/p>\n\n\n\n

Watashi no Guranpa<\/em>(My Grandpa<\/em>;Higashi Y\u00f4ichi, 2003)<\/p>\n\n\n\n

Mubans\u00f4<\/em>(A Cappella<\/em>;Yazaki Hitoshi, 2015\/6)<\/p>\n\n\n\n

Panic in Year Zero!<\/em>(Ray Milland, 1962)<\/p>\n\n\n\n

The Man I Married<\/em>(Irving Pichel, 1940)<\/p>\n\n\n\n

Show Them No Mercy<\/em>(George Marshall, 1935)<\/p>\n\n\n\n

Badlands of Dakota<\/em>(Alfred E. Green, 1941)<\/p>\n\n\n\n

The Treasure of Lost Canyon<\/em>(Ted Tetzlaff, 1951\/2)<\/p>\n\n\n\n

Nie wieder Liebe!<\/em>(Anatole Litvak, 1931)<\/p>\n\n\n\n

Mukashi no uta<\/em>(Old Sweet Song<\/em>\/Old Song<\/em>;Ishida Tamizo, 1939)<\/p>\n\n\n\n

Keshin<\/em>(Metamorphosis;<\/em>Higashi Y\u00f4ichi, 1986)<\/p>\n\n\n\n

Sekando rabu<\/em>(Second Love<\/em>;Higashi Y\u00f4ichi, 1983)<\/p>\n\n\n\n

Slave Ship<\/em>(Tay Garnett, 1937)<\/p>\n\n\n\n

Evelyn Prentice<\/em>(William K. Howard, 1934)<\/p>\n\n\n\n

Zwischengleis<\/em>(Wolfgang Staudte, 1978)<\/p>\n\n\n\n

Heimlichkeit<\/em>(Wolfgang Staudte, 1968)<\/p>\n\n\n\n

The Moon\u2019s Our Home<\/em>(William A. Seiter, 1936)<\/p>\n\n\n\n

All Our Yesterdays<\/em>(of 77 Sunset Strip)(Richard L. Bare, 1958)<\/p>\n\n\n\n

I Live My Life<\/em>(W.S. Van Dyke II;scr.Joseph L. Mankiewicz, 1935)<\/p>\n\n\n\n

Una Romantica Avventura<\/em>(Mario Camerini, 1940)<\/p>\n\n\n\n

Le Grand Jeu<\/em>(Nicolas Pariser, 2015)<\/p>\n\n\n\n

Er\u00f3tica<\/em>(Emilio \u2018Indio\u2019 Fern\u00e1ndez, 1978)<\/p>\n\n\n\n

Oatsurae Jir\u00f4kichi goshi<\/em>(Jirokichi the Rat<\/em>;It\u00f4 Daisuke, 1931)<\/p>\n\n\n\n

Desert People<\/em>(Ian Dunlop, 1965-7)<\/p>\n\n\n\n

Tap Roots<\/em>(George Marshalll, 1948)<\/p>\n\n\n\n

When the Daltons Rode<\/em>(George Marshall, 1940)<\/p>\n\n\n\n

Scared Stiff<\/em>(George Marshall, 1952\/3)<\/p>\n\n\n\n

The Blue Dahlia<\/em>(George Marshall, 1945\/6)<\/p>\n\n\n\n

Flowing Gold<\/em>(Alfred E. Green, 1940)<\/p>\n\n\n\n

This Side of the Law<\/em>(Richard L. Bare, 1949\/50)<\/p>\n\n\n\n

Gr\u00e4nsfolken<\/em>(Mauritz Stiller, 1913)<\/p>\n\n\n\n

Rendezvous<\/em>(William K. Howard;uc.Sam Wood, 1935)<\/p>\n\n\n\n

High, Wide and Handsome<\/em>(Rouben Mamoulian, 1937)<\/p>\n\n\n\n

Heat Lightning<\/em>(Mervyn LeRoy, 1934)<\/p>\n\n\n\n

Black Jack<\/em>(Julien Duvivier, 1950)<\/p>\n\n\n\n

Nancy Steele is Missing!<\/em>(George Marshall;uc.Otto Preminger, 1937)<\/p>\n\n\n\n

The Woman Between<\/em>(Victor Schertzinger, 1931)<\/p>\n\n\n\n

The Woman I Love<\/em>(The Woman Between<\/em>;Anatole Litvak, 1937)<\/p>\n\n\n\n

Want Ad Wedding<\/em>(William A. Seiter, 1955)<\/p>\n\n\n\n

El agua en el suelo<\/em>(Eusebio Fern\u00e1ndez Ardav\u00edn, 1925)<\/p>\n\n\n\n

De sueur et de sang<\/em>(Wonderboy<\/em>;Paul Vecchiali;coll.Pierre S\u00e9n\u00e9las, 1994)<\/p>\n\n\n\n

The Ghost Breakers<\/em>(George Marshall, 1940)<\/p>\n\n\n\n

State Secret<\/em>(The Great Manhunt;<\/em>Sidney Gilliat, 1950)<\/p>\n\n\n\n

The Spieler<\/em>(Tay Garnett, 1928)<\/p>\n\n\n\n

Culpables<\/em>(Arturo Ruiz-Castillo, 1958)<\/p>\n\n\n\n

Phenomenon<\/em>(John Turteltaub, 1996)<\/p>\n\n\n\n

Shack Out On 101<\/em>(Edward Dein, 1955)<\/p>\n\n\n\n

The Dog Lover<\/em>(Alex Ranarivelo, 2015\/6)<\/p>\n\n\n\n

Il Fauno<\/em>(Febo Mari, 1917)<\/p>\n\n\n\n

Sat\u00e1nico Pandemonium<\/em>(La Sexorcista<\/em>;Gilberto Mart\u00ednez Solares, 1975)<\/p>\n\n\n\n

Parisian Love<\/em>(Louis J. Gasnier, 1925)<\/p>\n\n\n\n

Hollywood on Trial<\/em>(David Halpern,Jr., 1976)<\/p>\n\n\n\n

Beyond Mombasa<\/em>(George Marshall, 1956)<\/p>\n\n\n\n

Money from Home<\/em>(George Marshall, 1953)<\/p>\n\n\n\n

Hook, Line and Sinker<\/em>(George Marshall;p.,w.Jerry Lewis, 1968\/9)<\/p>\n\n\n\n

Variety<\/em>(Bette Gordon, 1983)<\/p>\n\n\n\n

S\u00e9raphin ou Les Jambes Nues<\/em>(Louis Feuillade, 1921)<\/p>\n\n\n\n

Effraction<\/em>(Daniel Duval, 1983)<\/p>\n\n\n\n

Jalaler Golpo<\/em>(Jalal\u2019s Story<\/em>;Abu Shahed Emon, 2014)<\/p>\n\n\n\n

Cover Up<\/em>(Alfred E. Green, 1948\/9)<\/p>\n\n\n\n

Manchas de sangre en la Luna<\/em>(Come Die My Love<\/em>;Luis Marquina & Edward Dein, 1952)<\/p>\n\n\n\n

Le 7\u00e8me Jur\u00e9<\/em>(Georges Lautner, 1962)<\/p>\n\n\n\n

La Route de Salina<\/em>(Georges Lautner, 1969\/70)<\/p>\n\n\n\n

The Squall<\/em>(Alexander Korda, 1929)<\/p>\n\n\n\n

Rose Bernd<\/em>(Wolfgang Staudte, 1957)<\/p>\n\n\n\n

L\u2019Emigrante<\/em>(Febo Mari, 1915)<\/p>\n\n\n\n

Cenere<\/em>(Febo Mari & Arturo Ambrosio, 1916\/7)<\/p>\n\n\n\n

S\u00e2do<\/em>(Third Base<\/em>;Higashi Y\u00f4ichi, 1978)<\/p>\n\n\n\n

Universal Citizen<\/em>(Peter Thompson, 1987)<\/p>\n\n\n\n

Nightfall<\/em>(Gwyneth Gibby, 1999\/2000)<\/p>\n\n\n\n

Where Lights Are Low<\/em>(Colin Campbell, 1921)<\/p>\n\n\n\n

Mo hozue wa tsokanai<\/em>(No More Easy Life<\/em>;Higashi Y\u00f4ichi, 1979)<\/p>\n\n\n\n

Ureshi hazukashi monogatari<\/em>(A Tale of Happiness<\/em>\/The Pursuit of Happiness<\/em>;Higashi Y?ichi, 1988)<\/p>\n\n\n\n

Strawberry Shortcakes<\/em>(Yazaki Hitoshi, 2006)<\/p>\n\n\n\n

Shiki Natsuko<\/em>(Higashi Y\u00f4ichi, 1980)<\/p>\n\n\n\n

Yoi ga sametara, uchi ni kaer?<\/em>(Wandering Home<\/em>;Higashi Y\u00f4ichi, 2010)<\/p>\n\n\n\n

De cierta manera<\/em>(Sara G\u00f3mez, 1974\/\/8)<\/p>\n\n\n\n

Broadway Love<\/em>(Ida May Park, 1918)<\/p>\n\n\n\n

Forza Bastia 78 ou L\u2019\u00eele en f\u00eate<\/em>(Jacques Tati & Sophie Tatischeff, 1978\/\/\/2000)<\/p>\n\n\n\n

\u2026addio del passato\u2026<\/em>(Marco Bellocchio, 2000)<\/p>\n\n\n\n

Die Geschichte vom kleinen Muck<\/em>(Wolfgang Staudte, 1953)<\/p>\n\n\n\n

Sangatsu no raion<\/em>(March Comes Like a Lion<\/em>;Yazaki Hitoshi, 1991)<\/p>\n\n\n\n

El Movimiento<\/em>(Peter Thompson, 2002)<\/p>\n\n\n\n

Lowlands<\/em>(Peter Thompson, 2009)<\/p>\n\n\n\n

E) Grandes pel\u00edculas que mejoran:<\/strong><\/p>\n\n\n\n

Limelight<\/em>(Charles Chaplin, 1951\/2)<\/p>\n\n\n\n

Morocco<\/em>(Josef von Sternberg, 1930)<\/p>\n\n\n\n

K\u00f6rkarlen<\/em>(Victor Sj\u00f6str\u00f6m, 1920\/1)<\/p>\n\n\n\n

Fool\u2019s Paradise<\/em>(Cecil B. DeMille, 1921)<\/p>\n\n\n\n

Shane<\/em>(George Stevens;associate d.Fred Guiol, 1952\/3)<\/p>\n\n\n\n

Potomok Chingis-Khana<\/em>(Vsevolod I. Pudovk\u00edn, 1928)<\/p>\n\n\n\n

Man Hunt<\/em>(Fritz Lang, 1941)<\/p>\n\n\n\n

The Tall T<\/em>(Budd Boetticher, 1957)<\/p>\n\n\n\n

Ruan Lingyu<\/em>\/Center Stage<\/em>(Stanley Kwan, 1991\/2)<\/p>\n\n\n\n

Something To Live For<\/em>(George Stevens, 1942)<\/p>\n\n\n\n

One Way Passage<\/em>(Tay Garnett, 1932)<\/p>\n\n\n\n

La Roue<\/em>(Abel Gance, 1923)<\/p>\n\n\n\n

Waga seishun ni kuinashi<\/em>(Kurosawa Akira, 1946)<\/p>\n\n\n\n

East Side, West Side<\/em>(Allan Dwan, 1927)<\/p>\n\n\n\n

The Unfaithful<\/em>(Vincent Sherman, 1947)<\/p>\n\n\n\n

Kuhle Wampe oder Em g\u00f6hert der Welt?<\/em>(Slatan Dudow, 1932)<\/p>\n\n\n\n

Silver River<\/em>(Raoul Walsh, 1948)<\/p>\n\n\n\n

Il Gattopardo<\/em>(The Leopard<\/em>;Luchino Visconti, 1963)<\/p>\n\n\n\n

You\u2019re the one(Una historia de entonces)<\/em>(Jos\u00e9 Luis Garci, 2000)<\/p>\n\n\n\n

George Stevens:D-Day to Berlin<\/em>(George Stevens,Jr., 1994)<\/p>\n\n\n\n

The Mating Game<\/em>(George Marshall, 1959)<\/p>\n\n\n\n

The Edge<\/em>(Robert Kramer, 1967)<\/p>\n\n\n\n

Ice<\/em>(Robert Kramer, 1969)<\/p>\n\n\n\n

Alias Nick Beal<\/em>(John V. Farrow, 1948\/9)<\/p>\n\n\n\n

Tenshi no harawata:Nami<\/em>(Angel Guts:Nami<\/em>;Tanaka Noboru, 1979)<\/p>\n\n\n\n

The Savage<\/em>(George Marshall, 1952)<\/p>\n\n\n\n

Underwater!<\/em>(John Sturges, 1954\/5)<\/p>\n\n\n\n

A Face in the Crowd<\/em>(Elia Kazan, 1957)<\/p>\n\n\n\n

Cheers For Miss Bishop<\/em>(Tay Garnett, 1940\/1)<\/p>\n\n\n\n

Joy of Living<\/em>(Tay Garnett, 1938)<\/p>\n\n\n\n

A Ilha dos Amores<\/em>(Paulo Rocha, 1982)<\/p>\n\n\n\n

Sentimental Journey<\/em>(Walter Lang, 1946)<\/p>\n\n\n\n

The Man Who Died Twice<\/em>(Joe Kane, 1958)<\/p>\n\n\n\n

The Cheat <\/em>(Cecil B. DeMille, 1915)<\/p>\n\n\n\n

F) Muy buenas pel\u00edculas que cambian despu\u00e9s de una nueva visi\u00f3n<\/strong><\/p>\n\n\n\n

The Birth of a Nation<\/em>(David Wark Griffith, 1914\/5)<\/p>\n\n\n\n

Suez<\/em>(Allan Dwan, 1938)<\/p>\n\n\n\n

Saskatchewan<\/em>(Raoul Walsh, 1954)<\/p>\n\n\n\n

The Plough and the Stars<\/em> (John Ford, 1937)<\/p>\n\n\n\n

Doblones de a ocho<\/em>(Andr\u00e9s Linares, 1990)<\/p>\n\n\n\n

My Cousin Rachel<\/em>(Henry Koster, 1952)<\/p>\n\n\n\n

Arsenic and Old Lace<\/em>(Frank Capra, 1941\/\/3)<\/p>\n\n\n\n

Big City<\/em>(Skyscraper Wilderness<\/em>;Frank Borzage, 1937)<\/p>\n\n\n\n

Make Haste to Live<\/em>(William A. Seiter, 1954)<\/p>\n\n\n\n

Cattle Drive<\/em>(Kurt Neumann, 1951)<\/p>\n\n\n\n

The Gun Runners<\/em>(Donald Siegel, 1958)<\/p>\n\n\n\n

Woman Of The Year<\/em>(George Stevens, 1942)<\/p>\n\n\n\n

Bram Stoker\u2019s \u2018Dracula\u2019<\/em>(Francis Ford Coppola, 1992)<\/p>\n\n\n\n

Yoru no nagare<\/em>(Evening Stream<\/em>;Narus\u00ea Mikio & Kawashima Y\u00fbz\u00f4, 1960)<\/p>\n\n\n\n

The Duel at Silver Creek<\/em>(Donald Siegel, 1952)<\/p>\n\n\n\n

S\u00f3lo para hombres<\/em>(Fernando Fern\u00e1n-G\u00f3mez, 1960)<\/p>\n\n\n\n

If I Were Free<\/em>(Elliott Nugent, 1933)<\/p>\n\n\n\n

Stand-In<\/em>(Tay Garnett, 1937)<\/p>\n\n\n\n

The Great Houdini<\/em>(George Marshall, 1953)<\/p>\n\n\n\n

Nightmare Alley<\/em>(Edmund Goulding, 1947)<\/p>\n\n\n\n

The Gazebo<\/em>(George Marshall, 1959)<\/p>\n\n\n\n

The Sheepman<\/em>(George Marshall, 1958)<\/p>\n\n\n\n

The Shanghai Gesture<\/em>(Josef von Sternberg, 1941)<\/p>\n\n\n\n

Her Man<\/em>(Tay Garnett, 1930)<\/p>\n\n\n\n

Confession<\/em>(Joe May, 1937)<\/p>\n\n\n\n

The Sophomore<\/em>(Leo McCarey, 1929)<\/p>\n\n\n\n

Luz de domingo<\/em>(Jos\u00e9 Luis Garci, 2007)<\/p>\n\n\n\n

Drive A Crooked Road<\/em>(Richard Quine, 1954)<\/p>\n\n\n\n

El mar y el tiempo<\/em>(Fernando Fern\u00e1n-G\u00f3mez, 1989)<\/p>\n\n\n\n

Yo la vi primero!<\/em>(Fernando Fern\u00e1n-G\u00f3mez, 1974)<\/p>\n\n\n\n

Sneakers<\/em>(Phil Alden Robinson, 1992)<\/p>\n\n\n\n

Josette<\/em>(Allan Dwan, 1938)<\/p>\n\n\n\n

The Guns of Fort Petticoat<\/em>(George Marshall, 1956)<\/p>\n\n\n\n

Nit\u00f4ry\u00fb Kaigen<\/em>(Initiation to the Two Sword Style;<\/em>retitled  in 1954 Miyamoto Musashi;Kongo-in ketto<\/em>;(Miyamoto Musashi;Duel at Kongo-in Temple<\/em>;Asaka Katsuhiko & It\u00f4 Daisuke, 1943)<\/p>\n\n\n\n

Forfaiture<\/em>(Marcel L\u2019Herbier, 1937)<\/p>\n\n\n\n

The Old Dark House<\/em>(James Whale, 1932)<\/p>\n\n\n\n

The Amazing Quest of Mr. Ernest Bliss<\/em>(The Amazing Adventure<\/em>;Alfred Zeisler, 1936)<\/p>\n\n\n\n

The Male Animal<\/em>(Elliott Nugent, 1942)<\/p>\n\n\n\n

No Man\u2019s Woman<\/em>(Franklin Adreon, 1955)<\/p>\n\n\n\n

Padre no hay m\u00e1s que uno 2<\/em>(Santiago Segura, 2020)<\/p>\n\n\n\n

Trader Horn<\/em>(W.S Van Dyke II, 1931)<\/p>\n\n\n\n

Trade Winds<\/em>(Tay Garnett, 1938)<\/p>\n\n\n\n

Alye parusa<\/em>(Scarlet Sails<\/em>;Alieksandr Ptushko, 1961)<\/p>\n\n\n\n

It Started with a Kiss<\/em>(George Marshall, 1959)<\/p>\n\n\n\n

Benvenuta<\/em>(Andr\u00e9 Delvaux, 1983)<\/p>\n\n\n\n

L\u2019Arl\u00e9sienne<\/em>(Andr\u00e9 Antoine, 1922)<\/p>\n\n\n\n

Erotikon<\/em>(Mauritz Stiller, 1920)<\/p>\n\n\n\n

Four Hours to Kill!<\/em>(Mitchell Leisen, 1935)<\/p>\n\n\n\n

Hot Saturday<\/em>(William A. Seiter, 1932)<\/p>\n\n\n\n

The Moderns<\/em> (Alan Rudolph, 1988)<\/p>\n\n\n\n

Carmen<\/em>(Cecil B. DeMille, 1915)<\/p>\n\n\n\n

Loves of Carmen<\/em>(Raoul Walsh, 1927)<\/p>\n\n\n\n

Wrong is Right<\/em>(Richard Brooks, 1982)<\/p>\n\n\n\n

Miguel Mar\u00edas<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Miguel Mar\u00edas nos env\u00eda la lista completa de sus pel\u00edculas preferidas de 2021. Hace unos d\u00edas publicamos su lista de las estrenadas en Madrid, pero aqu\u00ed va la relaci\u00f3n de todo lo bueno que vio o volvi\u00f3 a ver el a\u00f1o que ha terminado.  TOP 2021 31\/12\/2021 A) Grandes pel\u00edculas realizadas despu\u00e9s de 2016, pero […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[1236,1305],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6985"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6985"}],"version-history":[{"count":8,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6985\/revisions"}],"predecessor-version":[{"id":6995,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/6985\/revisions\/6995"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}