{"id":7273,"date":"2022-12-29T13:12:21","date_gmt":"2022-12-29T13:12:21","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7273"},"modified":"2022-12-29T13:12:53","modified_gmt":"2022-12-29T13:12:53","slug":"peliculas-preferidas-de-2022-nicolas-carrasco","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7273","title":{"rendered":"Pel\u00edculas preferidas de 2022: Nicol\u00e1s Carrasco"},"content":{"rendered":"\n
\"Mato
Mato seco en chamas<\/figcaption><\/figure>\n\n\n\n

Mejores pel\u00edculas de 2020, 2021 y 2022, vistas por primera vez en 2022:<\/strong><\/p>\n\n\n\n

Drive My Car (Ry\u00fbsuke Hamaguchi, 2021)<\/p>\n\n\n\n

El gran movimiento (Kiro Russo, 2021)<\/p>\n\n\n\n

Mato seco em chamas (Joana Pimenta, Adirley Queir\u00f3s, 2022)<\/p>\n\n\n\n

Crimes of the Future (David Cronenberg, 2022)<\/p>\n\n\n\n

Godland (Hlynur P\u00e1lmason, 2022)<\/p>\n\n\n\n

Sobre las nubes (Mar\u00eda Aparicio, 2022)<\/p>\n\n\n\n

What Do We See When We Look at the Sky? (Alexandre Koberidze, 2021)<\/p>\n\n\n\n

A Night of Knowing Nothing (Payal Kapadia, 2021)<\/p>\n\n\n\n

A Chiara (Jonas Carpignano, 2021)<\/p>\n\n\n\n

Licorice Pizza (Paul Thomas Anderson, 2021)<\/p>\n\n\n\n

The Novelist\u2019s Film (Hong Sang-soo, 2022)<\/p>\n\n\n\n

Train Again (Peter Tscherkassky, 2021)<\/p>\n\n\n\n

Memoria (Apichatpong Weerasethakul, 2021)<\/p>\n\n\n\n

El oc\u00e9ano an\u00e1logo (Luis Mac\u00edas, 2022)<\/p>\n\n\n\n

Babi Yar. Context (Sergei Loznitsa, 2021)<\/p>\n\n\n\n

Alcarr\u00e0s (Carla Sim\u00f3n, 2022)<\/p>\n\n\n\n

Trenque Lauquen (Laura Citarella, 2022)<\/p>\n\n\n\n

Mutzenbacher (Ruth Beckermann, 2022)<\/p>\n\n\n\n

Nest (Hlynur P\u00e1lmason, 2022)<\/p>\n\n\n\n

Cerro Saturno (Miguel Hilari, 2022)<\/p>\n\n\n\n

#006 (Yonay Boix, 2021)<\/p>\n\n\n\n

Homes (Laila Pakalnina, 2021)<\/p>\n\n\n\n

Atlantide (Yuri Ancarani, 2022)<\/p>\n\n\n\n

Esp\u00edritu sagrado (Chema Garc\u00eda Ibarra, 2021)<\/p>\n\n\n\n

Diarios de Otsoga (Maureen Fazendeiro, Miguel Gomes, 2021)<\/p>\n\n\n\n

Sycorax (Mat\u00edas Pi\u00f1eiro, Lois Pati\u00f1o, 2021)<\/p>\n\n\n\n

La edad media (Luciana Acu\u00f1a, Alejo Moguillansky, 2022)<\/p>\n\n\n\n

El sembrador de estrellas (Lois Pati\u00f1o, 2022)<\/p>\n\n\n\n

Hidden (Jafar Panahi, 2020)<\/p>\n\n\n\n

Fairytale (Aleksandr Sokurov, 2022)<\/p>\n\n\n\n

A Woman Escapes (Sofia Bohdanowicz, Burak \u00c7evik, Blake Williams, 2022)<\/p>\n\n\n\n

Chronique d’une liaison passag\u00e8re (Emmanuel Mouret, 2022)<\/p>\n\n\n\n

The Cathedral (Ricky D’Ambrose, 2021)<\/p>\n\n\n\n

Wood and Water (Jonas Bak, 2021)<\/p>\n\n\n\n

Poet (Darezhan Omirbayev, 2021)<\/p>\n\n\n\n

The Worst Person in the World (Joachim Trier, 2021)<\/p>\n\n\n\n

Mars Exalt\u00e9 (Jean-S\u00e9bastien Chauvin, 2022)<\/p>\n\n\n\n

Manh\u00e3 de Domingo (Bruno Ribeiro, 2022)<\/p>\n\n\n\n

V\u00eanus de Nyke (Andr\u00e9 Ant\u00f4nio, 2021)<\/p>\n\n\n\n

Quebrantahuesos (Mart\u00edn Baus, 2021)<\/p>\n\n\n\n

Digital Ashes (Bruno Christofoletti Barrenha, 2022)<\/p>\n\n\n\n

Nope (Jordan Peele, 2022)<\/p>\n\n\n\n

Everything Everywhere All At Once (Daniel Kwan, Daniel Scheinert, 2022)<\/p>\n\n\n\n

The Black Phone (Scott Derrickson, 2021)<\/p>\n\n\n\n

Guillermo del Toro’s Cabinet of Curiosities: The Murmuring (Jennifer Kent, 2022)<\/p>\n\n\n\n

Love is a dog from hell (Khavn de la Cruz, 2021)<\/p>\n\n\n\n

Glimpses from a Visit to Orkney in Summer (Ute Aurand, 2020)<\/p>\n\n\n\n

Querida Chantal (Nicol\u00e1s Pereda, 2021)<\/p>\n\n\n\n

Eles transportan a morte (Helena Gir\u00f3n, Samuel M. Delgado, 2021)<\/p>\n\n\n\n

Un var\u00f3n (Fabi\u00e1n Hern\u00e1ndez, 2022)<\/p>\n\n\n\n

Cine peruano<\/strong><\/p>\n\n\n\n

(excluyo pel\u00edculas en las que he participado o que distribuyo)<\/strong><\/p>\n\n\n\n

El polvo ya no nubla nuestros ojos (Colectivo Silencio, 2022)<\/p>\n\n\n\n

Entre estos \u00e1rboles que he inventado (Mart\u00edn Rebaza, 2021)<\/p>\n\n\n\n

Cortar un \u00e1rbol en luna verde (Felipe Esparza, 2021)<\/p>\n\n\n\n

Ventanas (Nicole Remy, 2022)<\/p>\n\n\n\n

No hay regreso a casa (Yaela Gottlieb, 2021)<\/p>\n\n\n\n

Hogar (Jano Burmester, 2022)<\/p>\n\n\n\n

Vida f\u00e9rrea (Manuel Bauer, 2022)<\/p>\n\n\n\n

Holobionte (Eduardo Guti\u00e9rrez, 2022)<\/p>\n\n\n\n

No me pertenece (Fernanda Bonilla, 2021)<\/p>\n\n\n\n

Palabras urgentes (Mateo Krystek, Sergio Fern\u00e1ndez Mu\u00f1oz, 2022)<\/p>\n\n\n\n

Willaq Pirqa, el cine de mi pueblo (C\u00e9sar Galindo, 2022)<\/p>\n\n\n\n

Pel\u00edculas peruanas redescubiertas este a\u00f1o:<\/strong><\/p>\n\n\n\n

\u00bfY despu\u00e9s qu\u00e9? (Victoria Chic\u00f3n, 1983)<\/p>\n\n\n\n

Toma de tierras en Chinchero (Isabel Baufum\u00e9, 1979)<\/p>\n\n\n\n

Wa\u00f1uchun Cooperativa (Isabel Baufum\u00e9, 1978)<\/p>\n\n\n\n

Guitarra sin cuerdas (Nora de Izcue, 1974)<\/p>\n\n\n\n

El viento del ayahuasca (Nora de Izcue, 1983)<\/p>\n\n\n\n

Luis Pardo (Enrique Cornejo Villanueva, 1927)<\/p>\n\n\n\n

El cine de cada d\u00eda (Francisco Adrianz\u00e9n, 1985)<\/p>\n\n\n\n

Ciudad para todos (Francisco Adrianz\u00e9n, 1987)<\/p>\n\n\n\n

Malabrigo (Alberto Durant, 1986)<\/p>\n\n\n\n

Le petit touriste (Jo\u00eblle de La Casini\u00e8re, Michel Bonnemaison, 1975)<\/p>\n\n\n\n

Noticieros Culturales VICUS (Silvia Kantor, 1983 \u2013 1990)<\/p>\n\n\n\n

Nicol\u00e1s Carrasco<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Mejores pel\u00edculas de 2020, 2021 y 2022, vistas por primera vez en 2022: Drive My Car (Ry\u00fbsuke Hamaguchi, 2021) El gran movimiento (Kiro Russo, 2021) Mato seco em chamas (Joana Pimenta, Adirley Queir\u00f3s, 2022) Crimes of the Future (David Cronenberg, 2022) Godland (Hlynur P\u00e1lmason, 2022) Sobre las nubes (Mar\u00eda Aparicio, 2022) What Do We See […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7273"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7273"}],"version-history":[{"count":2,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7273\/revisions"}],"predecessor-version":[{"id":7275,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7273\/revisions\/7275"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}