{"id":7289,"date":"2022-12-30T16:01:50","date_gmt":"2022-12-30T16:01:50","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7289"},"modified":"2022-12-30T18:15:19","modified_gmt":"2022-12-30T18:15:19","slug":"peliculas-preferidas-de-2022-ricardo-bedoya","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7289","title":{"rendered":"Pel\u00edculas preferidas de 2022: Ricardo Bedoya."},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img src=\"https:\/\/images.ecestaticos.com\/7AVZjb3nhrSFvMXpxvJQSdRVUFk=\/0x0:1920x1080\/1200x900\/filters:fill(white):format(jpg)\/f.elconfidencial.com%2Foriginal%2F6d0%2F405%2Fa54%2F6d0405a544feea01cb4719fde28ef401.jpg\" alt=\"Onoda': el soldado japon\u00e9s que sigui\u00f3 luchando 29 a\u00f1os despu\u00e9s de la IIGM\"\/><figcaption>Onoda<\/figcaption><\/figure>\n\n\n\n<p>En mi lista de preferidas del a\u00f1o pasado inclu\u00ed algunos t\u00edtulos que se exhibieron o estrenaron este a\u00f1o entre nosotros, como <em>Tres pisos<\/em>, de Nanni Moretti; <em>Memoria<\/em>, de Apichatpong Weerasethakul; <em>El gran movimiento<\/em>, de Kiro Russo; <em>Petite maman<\/em>, de C\u00e9line Sciamma; <em>Drive My Car<\/em>, de\u00a0 Ryusuke Hamaguchi; <em>Di\u00e1rios de Otsoga<\/em>, de Maureen Fazendeiro y Miguel Gomes; <em>A Night of Knowing Nothing<\/em>, de Payal Kapadia; <em>Eles transportan a morte<\/em>, de Samuel M. Delgado y Helena Gir\u00f3n; <em>LXI<\/em>, de Rodrigo Moreno del Valle.<\/p>\n\n\n\n<p>Sigue la lista de t\u00edtulos vistos en 2022.<\/p>\n\n\n\n<p><strong><em>Las notables (orden alfab\u00e9tico)<\/em><\/strong><\/p>\n\n\n\n<p>Aftersun, de Charlotte Wells (estrenada)<\/p>\n\n\n\n<p>\u00c0 vendredi, Robinson, de Mitra Farahani (plataforma)<\/p>\n\n\n\n<p>Bruno Reidal: confession d\u2019un meurtrier, de Vincent Le Port (plataforma)<\/p>\n\n\n\n<p>Ch\u00e8re L\u00e9a, de J\u00e9r\u00f4me Bonnell (plataforma)<\/p>\n\n\n\n<p>Cinco lobitos, de Alauda Ruiz de Az\u00faa (exhibida)<\/p>\n\n\n\n<p>Cr\u00edmenes del futuro, de David Cronenberg (exhibida)<\/p>\n\n\n\n<p>Cr\u00f3nica de una relaci\u00f3n pasajera, de Emmanuel Mouret (exhibida)<\/p>\n\n\n\n<p>Falcon Lake, de Charlotte Le Bon (exhibida)<\/p>\n\n\n\n<p>Godland, de&nbsp; Hlynur P\u00e1lmason (exhibida)<\/p>\n\n\n\n<p>In Front of Your Face, de Hong Sang-soo (plataforma)<\/p>\n\n\n\n<p>La integridad de Joseph Chambers, de Robert Machoian (exhibida)<\/p>\n\n\n\n<p>Maixabel, de Ic\u00edar Bolla\u00edn (plataforma)<\/p>\n\n\n\n<p>Nop, de Gordon Peele (estrenada)<\/p>\n\n\n\n<p>Onoda, de Arthur Harari (plataforma)<\/p>\n\n\n\n<p>RRR, de S.S. Rajamouli (plataforma)<\/p>\n\n\n\n<p>Tori et Lokita, de Luc y Jean-Pierre Dardenne (plataforma)<\/p>\n\n\n\n<p>Trenque Lauquen, de Laura Citarella (exhibida)<\/p>\n\n\n\n<p>Une fleur \u00e0 la bouche, de \u00c9ric Baudelaire (plataforma)<\/p>\n\n\n\n<p><strong><em>Otras (orden alfab\u00e9tico)<\/em><\/strong><\/p>\n\n\n\n<p>A Chiara, de Jonas Carpignano (exhibida)<\/p>\n\n\n\n<p>Apolo 10\u00bd: Una infancia espacial, de Richard Linklater (plataforma)<\/p>\n\n\n\n<p>Armageddon Time, de James Gray (plataforma)<\/p>\n\n\n\n<p>Compartment N\u00ba 6, de Juho Kuosmanen (plataforma)<\/p>\n\n\n\n<p>Depredador: la presa, de Dan Trachtenberg (plataforma)<\/p>\n\n\n\n<p>El agua, de Elena L\u00f3pez Riera (exhibida)<\/p>\n\n\n\n<p>El tr\u00edo en mi bemol, de Rita Azevedo Gomes (exhibida)<\/p>\n\n\n\n<p>Hit the Road, de Panah Panahi (exhibida)<\/p>\n\n\n\n<p>Introduction, de Hong Sang-soo (plataforma) <\/p>\n\n\n\n<p>Invierno, de Vadim Kostrov (plataforma)<\/p>\n\n\n\n<p>La pel\u00edcula de la novelista, de Hong sang-soo (exhibida)<\/p>\n\n\n\n<p>Les amours d&#8217;Ana\u00efs, de Charline Bourgeois-Tacquet (exhibida)<\/p>\n\n\n\n<p>Licorice Pizza, de Paul Thomas Anderson (estrenada)<\/p>\n\n\n\n<p>Mato Seco en Chamas, de Adirley Queir\u00f3s, Joana Pimenta (exhibida)<\/p>\n\n\n\n<p>Mutzenbacher, de Ruth Beckermann (exhibida)<\/p>\n\n\n\n<p>Benediction, de Terence Davies <\/p>\n\n\n\n<p>Pacifiction, de Albert Serra (plataforma)<\/p>\n\n\n\n<p>She said, de Maria Schrader (plataforma)<\/p>\n\n\n\n<p>The Eternal Daughter, de Joanna Hogg (plataforma)<\/p>\n\n\n\n<p>Viaje, de Jos\u00e9 Fern\u00e1ndez del R\u00edo (exhibida)<\/p>\n\n\n\n<p>Willaq Pirqa, el cine de mi pueblo, de C\u00e9sar Galindo (estrenada)<\/p>\n\n\n\n<p><em>Dos series:<\/em><\/p>\n\n\n\n<p>Irma Vep, de Olivier Assayas (plataforma)<\/p>\n\n\n\n<p>Esterno Notte, de Marco Bellocchio (plataforma)<\/p>\n\n\n\n<p>La menci\u00f3n \u201cestrenada\u201d refiere a las exhibidas en salas comerciales de Lima. La menci\u00f3n \u201cexhibida\u201d refiere a las programadas en festivales, muestras o pases en el circuito cultural peruano. La menci\u00f3n plataforma refiere a Netflix, HBO Max, entre otras, a festivales extranjeros y enlaces diversos.<\/p>\n\n\n\n<p><strong>Ricardo Bedoya<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En mi lista de preferidas del a\u00f1o pasado inclu\u00ed algunos t\u00edtulos que se exhibieron o estrenaron este a\u00f1o entre nosotros, como Tres pisos, de Nanni Moretti; Memoria, de Apichatpong Weerasethakul; El gran movimiento, de Kiro Russo; Petite maman, de C\u00e9line Sciamma; Drive My Car, de\u00a0 Ryusuke Hamaguchi; Di\u00e1rios de Otsoga, de Maureen Fazendeiro y Miguel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7289"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7289"}],"version-history":[{"count":6,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7289\/revisions"}],"predecessor-version":[{"id":7298,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7289\/revisions\/7298"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}