{"id":7511,"date":"2024-01-13T11:21:23","date_gmt":"2024-01-13T11:21:23","guid":{"rendered":"http:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7511"},"modified":"2024-01-13T11:32:16","modified_gmt":"2024-01-13T11:32:16","slug":"peliculas-preferidas-de-2023-miguel-marias-desde-madrid","status":"publish","type":"post","link":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/?p=7511","title":{"rendered":"Pel\u00edculas preferidas de 2023: Miguel Mar\u00edas (desde Madrid)."},"content":{"rendered":"\n
\"Tr\u00e1iler
Cerrar los ojos, de V\u00edctor Erice<\/figcaption><\/figure>\n\n\n\n

A)Grandes recientes<\/strong><\/p>\n\n\n\n

Cerrar los ojos(V\u00edctor Erice, 2023)<\/p>\n\n\n\n

Mighty Afrin in the Time of Floods(Angelos Rallis, 2022\/3)<\/p>\n\n\n\n

Aku wa sonzai shinai(Evil Does Not Exist)(Hamaguchi Ry\u00fbsuke, 2023)<\/p>\n\n\n\n

Chronique d\u2019une liaison passag\u00e8re(Emmanuel Mouret, 2022)<\/p>\n\n\n\n

Trenque Lauquen(Laura Citarella, 2022)<\/p>\n\n\n\n

The U.S. and The Holocaust (Ken Burns,Lynn Novick & Sarah Botstein, 2022)<\/p>\n\n\n\n

And, Towards Happy Alleys(Sreemoyee Singh, 2023)<\/p>\n\n\n\n

Le Coeur Noir des for\u00eats(Serge Mirzabekiantz, 2021)<\/p>\n\n\n\n

Boston Strangler(Matt Ruskin, 2022\/3)<\/p>\n\n\n\n

The Natural History of Destruction(Sergei Loznitsa, 2022)<\/p>\n\n\n\n

Kuolleet lehdet(Aki Kaurism\u00e4ki, 2023)<\/p>\n\n\n\n

\u00centre revolutii(Vlad Petri, 2023)<\/p>\n\n\n\n

Bowling Saturne(Patricia Mazuy, 2021\/2)<\/p>\n\n\n\n

Call Jane(Phyllis Nagy, 2022)<\/p>\n\n\n\n

<\/p>\n\n\n\n

B)Grandes m\u00e1s antiguas<\/strong><\/p>\n\n\n\n

Bullfighter and the Lady(Budd Boetticher, 1951,vers.rest.)<\/p>\n\n\n\n

Shiinomi Gakuen(Shimizu Hiroshi, 1955)<\/p>\n\n\n\n

Parisette(Louis Feuillade, 1921)<\/p>\n\n\n\n

Vengeance Is Mine(Haunted)(Michael Roemer, 1983\/4\/\/\/2022)<\/p>\n\n\n\n

Liebe auf den erste Blick(Rudolf Thome, 1991)<\/p>\n\n\n\n

Japanese Story(Sue Brooks, 2010)<\/p>\n\n\n\n

The Valley of Silent Men(Frank Borzage, 1922)<\/p>\n\n\n\n

Naruto hich?(Secret of Naruto;Kinugasa Teinosuke, 1957)<\/p>\n\n\n\n

Il Vizio di Vivere(Dino Risi, 1988)<\/p>\n\n\n\n

Khayal Gatha (Kumar Shahani, 1989)<\/p>\n\n\n\n

Guest Wife(Sam Wood, 1944\/5)<\/p>\n\n\n\n

The Affairs of Susan(William A. Seiter, 1945)<\/p>\n\n\n\n

Escrito en el cuerpo de la noche(Jaime Humberto Hermosillo, 2000\/1)<\/p>\n\n\n\n

Missione d\u2019Amore(Dino Risi, 1993)<\/p>\n\n\n\n

The Glass Wall(Maxwell Shane, 1953)<\/p>\n\n\n\n

La Lumi\u00e8re et l\u2019Amour(L\u00e9once Perret, 1912)<\/p>\n\n\n\n

Koenigsmark(L\u00e9once Perret, 1923)<\/p>\n\n\n\n

Sister Kenny(Dudley Nichols, 1946)<\/p>\n\n\n\n

Primo Amore(Dino Risi, 1978)<\/p>\n\n\n\n

Citizen Jake(Mike De Leon, 2018)<\/p>\n\n\n\n

L\u2019Adolescente, Sucre d\u2019Amour\/Une vie suspendue(Jocelyne Saab, 1985)<\/p>\n\n\n\n

Verrat an Deutschland(Veit Harlan, 1955)<\/p>\n\n\n\n

The Book Thief(Brian Percival, 2013)<\/p>\n\n\n\n

The White Sister(Victor Fleming, 1933)<\/p>\n\n\n\n

Singing Guns(R.G. Springsteen, 1950)<\/p>\n\n\n\n

<\/p>\n\n\n\n

C)Muy buenas recientes<\/strong><\/p>\n\n\n\n

Les Derniers Hommes(David Oelhoffen, 2023)<\/p>\n\n\n\n

In The Land Of Saints & Sinners(Robert Lorenz)<\/p>\n\n\n\n

He bian de cuo wu(Only the River Flows)(Wei Shujun, 2023)<\/p>\n\n\n\n

Vanskabte Land(Volada Land)(Godland)(Hlynur P\u00e1lmason, 2022)<\/p>\n\n\n\n

Bo\u00eee noire(Yann Gozlan, 2020\/1)<\/p>\n\n\n\n

L\u2019Innocent(Louis Garrel, 2022)<\/p>\n\n\n\n

Le Parfum vert(Nicolas Pariser, 2022)<\/p>\n\n\n\n

La Nuit du 12(Dominik Moll, 2022)<\/p>\n\n\n\n

Ayeh haye zamini(Terrestrial Verses)(Ali Asgari & Alireza Khatami, 2023)<\/p>\n\n\n\n

Sira(Apolline Traor\u00e9, 2022\/3)<\/p>\n\n\n\n

Joyland(Saim Sadiq, 2022)<\/p>\n\n\n\n

The Pale Blue Eye (Scott Cooper, 2022\/3)<\/p>\n\n\n\n

Thousand and One Nights(Senya ichiya)(Kubota Nao, 2022)<\/p>\n\n\n\n

Une jeune fille qui va bien (Sandrine Kiberlain, 2021)<\/p>\n\n\n\n

Gelditasuna Ekaitzean(La quietud en la tormenta)(Alberto Gastesi, 2022\/3)<\/p>\n\n\n\n

No mires a los ojos(F\u00e9lix Viscarret, 2021\/2)<\/p>\n\n\n\n

Los delincuentes(Rodrigo Moreno, 2023)<\/p>\n\n\n\n

Love At First Sight(Vanessa Caswill, 2022\/3)<\/p>\n\n\n\n

Une femme de notre temps(Jean Paul Civeyrac, 2022)<\/p>\n\n\n\n

Master Gardener(Paul Schrader, 2022)<\/p>\n\n\n\n

Saint Omer(Alice Diop, 2022)<\/p>\n\n\n\n

Secaderos(Roc\u00edo Mesa, 2022)<\/p>\n\n\n\n

Tengo sue\u00f1os el\u00e9ctricos(Valentina Maurel, 2922)<\/p>\n\n\n\n

El amor de Andrea(Manuel Mart\u00edn Cuenca, 2023)<\/p>\n\n\n\n

The Whale(Darren Aronofsky, 2022)<\/p>\n\n\n\n

Isang Salaysay ng Karahasang Pilipino(A Tale of Filipino Violence)(Lav Diaz, 2022)<\/p>\n\n\n\n

Plus que jamais(Emily Atef, 2022)<\/p>\n\n\n\n

Bosco(Alicia Cano Menoni, 2021)<\/p>\n\n\n\n

Roter Himmel(Afire)(Christian Petzold, 2023)<\/p>\n\n\n\n

La D\u00e9rive des continents(au sud)(Lionel Baier, 2022)<\/p>\n\n\n\n

Les Trois Mousquetaires:I-D\u2019Artagnan(Martin Bourboulon, 2023)<\/p>\n\n\n\n

Le Otto Montagne(Felix van Groeningen & Charlotte Vandermeersch, 2022)<\/p>\n\n\n\n

Un Couple(Frederick Wiseman, 2022)<\/p>\n\n\n\n

Go, Friend, Go(Gabriele Licchelli, Francesco Lorusso & Andrea Settembrini, 2022)<\/p>\n\n\n\n

Something from Tiffany\u2019s(Daryl Wein, 2022)<\/p>\n\n\n\n

Il sol dell\u2019avvenire(Nanni Moretti, 2023)<\/p>\n\n\n\n

Retratos de fantasmas(Kleber Mendon\u00e7a Filho, 2023)<\/p>\n\n\n\n

Pel\u00edcula del hierro y la nieve(Pablo Llorca, 2023)<\/p>\n\n\n\n

Bye Bye Tib\u00e9riade\/Bye Bye Tiberias(Lina Soulalem, 2023)<\/p>\n\n\n\n

The Lost King(Stephen Frears, 2022)<\/p>\n\n\n\n

Tuman(Fog)(Natalia Gugueva, 2023)<\/p>\n\n\n\n

Fancy Dance(Erica Tremblay, 2023)<\/p>\n\n\n\n

Urotsite na Blaga(Blaga\u2019s Lessons)(Stephan Komandarev, 2023)<\/p>\n\n\n\n

Dreamers(St\u00e9phanie Barbey & Luc Peter, 2023)<\/p>\n\n\n\n

Holy Spider(Ali Abbasi, 2022)<\/p>\n\n\n\n

Vacacones de verano(Santiago Segyra, 2023)<\/p>\n\n\n\n

Una vida no tan simple(F\u00e9lix Viscarret, 2022\/3)<\/p>\n\n\n\n

<\/p>\n\n\n\n

D)Muy buenas m\u00e1s antiguas<\/strong><\/p>\n\n\n\n

Toughest Man in Arizona(R.G. Springsteen, 1952)<\/p>\n\n\n\n

Wolf Song(Victor Fleming, 1929)<\/p>\n\n\n\n

Konjiki yasha(Shima K\u00f4ji, 1954)<\/p>\n\n\n\n

Highway 301(Andrew L. Stone, 1950)<\/p>\n\n\n\n

The Dark Half(George A. Romero, 1992\/3)<\/p>\n\n\n\n

Invaders from Marsh(William Cameron Menzies, 1953)<\/p>\n\n\n\n

Sono yo wa wasurenai(A Night to Remember)(Yoshimura K\u00f4zabur\u00f4, 1962)<\/p>\n\n\n\n

Totsugu hi(Wedding Day)(Yoshimura K\u00f4zabur\u00f4, 1956)<\/p>\n\n\n\n

Que Dios me Perdone(Tito Davison, 1948)<\/p>\n\n\n\n

El Coraz\u00f3n de la Noche(Jaime Humberto Hermosillo, 1983\/4)<\/p>\n\n\n\n

Mujeres Sin Ma\u00f1ana(Tito Davison, 1951)<\/p>\n\n\n\n

M\u00e1s fuerte que el amor(Tulio Demicheli, 1954\/5)<\/p>\n\n\n\n

Disco Pigs(Kirsten Sheridan, 2001)<\/p>\n\n\n\n

K\u00e9t l\u00e1ny az ucc\u00e1n(Two Girls on the Street)(T\u00f3th Endre=Andre de Toth, 1939)<\/p>\n\n\n\n

Itim(Mike De Leon, 1976)<\/p>\n\n\n\n

Dora Nelson(Mario Soldati, 1939)<\/p>\n\n\n\n

Deep Valley(Jean Negulesco, 1947)<\/p>\n\n\n\n

South Solitary(Shirley Barrett, 2010)<\/p>\n\n\n\n

Hell\u2019s Heroes(William Wyler, 1930)<\/p>\n\n\n\n

Massacre(Louis King, 1955\/6)<\/p>\n\n\n\n

Mysterious Island of Beautiful Women(Joseph Pevney, 1979)<\/p>\n\n\n\n

Her Night of Romance(Sidney A. Franklin, 1924)<\/p>\n\n\n\n

La Ciociara(Dino Risi, 1989)<\/p>\n\n\n\n

Honeysuckle Rose(Jerry Schatzberg, 1980)<\/p>\n\n\n\n

Fool for Love(Robert Altman, 1985)<\/p>\n\n\n\n

Her Sister from Paris(Sidney A. Franklin, 1925)<\/p>\n\n\n\n

Outward Bound(Robert Milton;cl.Ray Enright, 1930)<\/p>\n\n\n\n

Never Trust a Gambler(Ralph Murphy, 1951)<\/p>\n\n\n\n

The Come On(Russell Birdwell, 1956)<\/p>\n\n\n\n

Hurricane Smith(Jerry Hopper, 1952)<\/p>\n\n\n\n

Bel-Ami(Historia de un Canalla)(Antonio Momplet, 1946)<\/p>\n\n\n\n

Do\u00f1a Diabla(Tito Davison, 1950)<\/p>\n\n\n\n

Prisionera del Pasado(Tulio Demicheli, 1954)<\/p>\n\n\n\n

Para Siempre\/Para siempre amor m\u00edo\/Siempre para ti(Tulio Demicheli, 1955)<\/p>\n\n\n\n

Yo quiero ser artista\/El cartero del barrio(Tito Davison, 1957\/8)<\/p>\n\n\n\n

M\u00fasica de Siempre(Tito Davison, 1958)<\/p>\n\n\n\n

Sailor\u2019s Lady(Allan Dwan, 1940)<\/p>\n\n\n\n

Le Jour des Rois(Marie-Claude Treilhou, 1990\/1)<\/p>\n\n\n\n

Vientos de La Habana\/Cuatro estaciones en La Habana(F\u00e9lyx Viscarret, 2015\/6)<\/p>\n\n\n\n

Ingrid Bergman in Her Own Words(Stig Bj\u00f6rkman, 2015)<\/p>\n\n\n\n

1848(Dino Risi, 1948)<\/p>\n\n\n\n

Cherchez Hortensia(Pascal Bonitzer, 2012)<\/p>\n\n\n\n

Le Gros Alibi(Pascal Bonitzer, 2008)<\/p>\n\n\n\n

The Siege(Edward Zwick, 1998)<\/p>\n\n\n\n

Smart Woman(Edward A. Blatt, 1948)<\/p>\n\n\n\n

Hitler\u2019s Children(Edward Dmytryk;start.Irving Reis, 1943)<\/p>\n\n\n\n

I Met My Love Again(Artur Ripley & Joshua Logan,coll.George Cukor, 1937\/8)<\/p>\n\n\n\n

Born To Be Bad(Lowell Sherman, 1933\/4)<\/p>\n\n\n\n

Desn\u00fadate Lucrecia(Tulio Demicheli, 1957\/8)<\/p>\n\n\n\n

The Devil and Miss Jones(Sam Wood, 1941)<\/p>\n\n\n\n

Stolen Identity(Gunther von Fritsch, 1953)<\/p>\n\n\n\n

Appointment with a Shadow(Richard Carlson, 1958)<\/p>\n\n\n\n

Strange Bargain(Will Price, 1949)<\/p>\n\n\n\n

<\/p>\n\n\n\n

E)Grandes revisiones <\/strong><\/p>\n\n\n\n

The Greatest Show on Earth(Cecil B. DeMille, 1951\/2)<\/p>\n\n\n\n

Vampyr(Carl Th. Dreyer, 1931-2)<\/p>\n\n\n\n

The Last Sunset(Robert Aldrich, 1961)<\/p>\n\n\n\n

Les Carabiniers(Jean-Luc Godard, 1963)<\/p>\n\n\n\n

Two-Faced Woman(George Cukor, 1941)<\/p>\n\n\n\n

H\u00e9las pour moi(Jean-Luc Godard, 1992\/3)<\/p>\n\n\n\n

Lightning Strikes Twice(King Vidor, 1950\/1)<\/p>\n\n\n\n

No Name on the Bullet(Jack Arnold, 1959)<\/p>\n\n\n\n

Les Trois font La Paire(Sacha Guitry, 1957)<\/p>\n\n\n\n

Escape To Burma(Allan Dwan, 1955)<\/p>\n\n\n\n

September Affair(William Dieterle, 1950)<\/p>\n\n\n\n

Vidros partidos(episode in Centro Hist\u00f3rico)(V\u00edctor Erice, 2012)<\/p>\n\n\n\n

Tinimbang Ka ngunit kulang(Weighed But Found Wanting)(Lino Brocka, 1974)<\/p>\n\n\n\n

Morning Glory(Lowell Sherman, 1933)<\/p>\n\n\n\n

La Tour de Nesle(Abel Gance, 1955)<\/p>\n\n\n\n

V\u00e9nus aveugle(Abel Gance, 1941)<\/p>\n\n\n\n

The Garment Jungle(Robert Aldrich,Vincent Sherman, 1957)<\/p>\n\n\n\n

Iron Man(Joseph Pevney, 1951)<\/p>\n\n\n\n

Busy Buddies(Joseph Barbera & William Hanna, 1956)<\/p>\n\n\n\n

Four Sons(John Ford, 1928)<\/p>\n\n\n\n

Made in U.S.A.(Jean-Luc Godard, 1966)<\/p>\n\n\n\n

\u00c9loge de l\u2019amour(Jean-Luc Godard, 2001)<\/p>\n\n\n\n

The Fearmakers(Jacques Tourneur, 1958)<\/p>\n\n\n\n

The Bride Wore Red(Dorothy Arzner, 1937)<\/p>\n\n\n\n

Dark Alibi(Jerry Hopper, 1954)<\/p>\n\n\n\n

Celia(Jos\u00e9 Luis Borau, 1993)<\/p>\n\n\n\n

D\u00e9tective(Jean-Luc Godard, 1985)<\/p>\n\n\n\n

Kisapmata(Mike De Leon, 1981)<\/p>\n\n\n\n

The Marksman(Robert Lorenz, 2020\/1)<\/p>\n\n\n\n

F)Muy buenas revisiones<\/strong><\/p>\n\n\n\n

Give a Girl a Break(Stanley Donen, 1953)<\/p>\n\n\n\n

Romantiki(Mark Donsko\u00ed, 1941)<\/p>\n\n\n\n

Mayerling(Anatole Litvak, 1936)<\/p>\n\n\n\n

Kings Row(Sam Wood, 1942)<\/p>\n\n\n\n

A Blueprint for Murder(Andrew L. Stone, 1953)<\/p>\n\n\n\n

Good Neighbor Sam(David Swift, 1964)<\/p>\n\n\n\n

Play Misty For Me(Clint Eastwood, 1971)<\/p>\n\n\n\n

Hana Saku Minato(Port of Flowers;Kinoshita Keisuke, 1943)<\/p>\n\n\n\n

Fantastic Voyage(Richard Fleischer, 1966)<\/p>\n\n\n\n

Micki+Maude(Blake Edwards, 1984)<\/p>\n\n\n\n

Blind Date(Blake Edwards, 1987)<\/p>\n\n\n\n

Sunset(Blake Edwards, 1988)<\/p>\n\n\n\n

The Well(Russell Rouse & Leo C. Poplin, 1951)<\/p>\n\n\n\n

Unfinished Business(Gregory La Cava, 1941)<\/p>\n\n\n\n

Short Cuts(Robert Altman, 1993)<\/p>\n\n\n\n

The Thin Red Line (Andrew Marton, 1964)<\/p>\n\n\n\n

A Life in the Balance (Harry Horner, 1954\/5)<\/p>\n\n\n\n

Sully(Clint Eastwood, 2016)<\/p>\n\n\n\n

Unforgiven(Clint Eastwood, 1992)<\/p>\n\n\n\n

La Escondida(Roberto Gavald\u00f3n, 1956)<\/p>\n\n\n\n

Lord Jim(Richard Brooks, 1965)<\/p>\n\n\n\n

Sat\u00e1nico Pandemonium(La Dexorcista)(Gilberto Mart\u00ednez Solares, 1975)<\/p>\n\n\n\n

Blood Ties(Guillaume Canet, 2013)<\/p>\n\n\n\n

Lady from Louisiana(Bernard Vorhaus, 1941)<\/p>\n\n\n\n

Brainstorm(Douglas Trumbull, 1981-3)<\/p>\n\n\n\n

Pinky(Elia Kazan, 1949)<\/p>\n\n\n\n

Mary of Scotland(John Ford, 1936)<\/p>\n\n\n\n

The Hatchet Man(William A. Wellman, 1931\/2)<\/p>\n\n\n\n

Streets of Laredo(Leslie Fenton, 1948\/9)<\/p>\n\n\n\n

Whispering Smith(Leslie Fenton, 1947\/8)<\/p>\n\n\n\n

Isle of Forgotten Sins\/Moonsoon(Edgar G. Ulmer, 1943)<\/p>\n\n\n\n

The Legend of Lylah Clare(Robert Aldrich, 1968)<\/p>\n\n\n\n

The Atomic City(Jerry Hopper, 1952)<\/p>\n\n\n\n

So Young So Bad(Bernard Vorhaus;\u00bfcoll.Edgar G. Ulmer, 1950)<\/p>\n\n\n\n

Whipsaw(Sam Wood, 1935)<\/p>\n\n\n\n

North to Alaska(Henry Hathaway, 1960)<\/p>\n\n\n\n

99 River Street(Phil Karlson, 1953)<\/p>\n\n\n\n

Wee Willie Winkie(John Ford, 1937)<\/p>\n\n\n\n

The Straight Story(David Lynch, 1999)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Miguel Mar\u00edas<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A)Grandes recientes Cerrar los ojos(V\u00edctor Erice, 2023) Mighty Afrin in the Time of Floods(Angelos Rallis, 2022\/3) Aku wa sonzai shinai(Evil Does Not Exist)(Hamaguchi Ry\u00fbsuke, 2023) Chronique d\u2019une liaison passag\u00e8re(Emmanuel Mouret, 2022) Trenque Lauquen(Laura Citarella, 2022) The U.S. and The Holocaust (Ken Burns,Lynn Novick & Sarah Botstein, 2022) And, Towards Happy Alleys(Sreemoyee Singh, 2023) Le Coeur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7511"}],"collection":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7511"}],"version-history":[{"count":2,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7511\/revisions"}],"predecessor-version":[{"id":7514,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=\/wp\/v2\/posts\/7511\/revisions\/7514"}],"wp:attachment":[{"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paginas-del-diario-de-satan.com\/pdds\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}